Overheard (Suspension of Belief Sketch 4)
Resonance Radio Orchestra
There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?
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There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?
Paul Sharits is one of our all time heroes, and one of the great artist filmmakers of the 20th Century.
Every aspect of every film is always about more than just film. Or, as Godard said: a tracking shot is a moral issue. A cross between a festival, magazine and discussion about experimental artists’ films.
Talk charting the radical history of experimental music in Japan + the lowdown into the careers of many of the artists appearing at MLFC.
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
Free Jazz group comprising Matt Lavelle, Matt Heyner (TEST, No-Neck Blues Band) and Ryan Sawyer (Tall Firs).
A somehow hyper-modern, ancient and folkloric lip-synced, made-up, fashioned performance.
A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.
Part old-fashioned Renaissance man, part hardcore avant-gardist, the Canadian painter-photographer-filmmaker-musician gives full vent to his genius in the exhilarating perceptual vaudeville, named after the ‘central region’ of tissue that acts as a conduit between the brain’s two hemispheres.
A socio-poetic reading on wayward communities – The wayward create upheavals, incite tumult. They come and go as they please; they are fugitive; they are in open rebellion against society.
Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.