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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Image with the words: Paragon Ensemble
9 December 2001
The Arches

Paragon Ensemble

Paragon Ensemble

The program of composed music including Feldman’s Instruments III, Ligeti’s piece for 100 Metronomes Poeme Sympathetique, and Rebonds B by Iannis Xenakis.

INSTAL 01
A large band play multiple instruments on a golden lit stage
16 February 2008
The Arches

Energy Births Form

Alan Silva Ben Hall David Keenan Don Dietrich Incapacitants Kazuo Imai Michiyo Yagi Sabu Toyozumi

We wanted to ask a bunch of the best high-energy-improvisers around; can musical form really taking shape via a group energy? Can individual concentration lead to a group consciousness?

INSTAL 08
A shot of a boldly decorated bedroom, red walls, fairy lights, myriad flowers
28 February 2010
DCA

Film Programme 6: Production

Ken Jacobs Various Artists

The production of moving image (film) by the mechanically, unfalteringly repetitive manipulation of mass-produced materials (film), in order to explore three different allegorical representations (films) of repetitive human actions and labour under capital.

Kill Your Timid Notion 10
Craig Dworkin standing by a microphone giving a talk
16 May 2010

FACT

Craig Dworkin

Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?

UNINSTAL
A pencil drawing of a spherical shape drawn with rough impressionistic strokes
5 – 9 February 2012
Glasgow University Chapel Glasgow Uni Music Dept Kinning Park Complex

Investigation: Jean-Luc Guionnet

What’s the best way to spend time with a musician when they visit a city to perform? And when the musician in question has a great deal to say, what sort of concert do you organise to do justice to that?

A man in front of a multi layered projection, a sign saying 'the end'
29 November 2008
BFI Southbank BFI IMAX ICA Spike Island Arnolfini CCA

Andrew Lampert

Andrew Lampert

Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.

Kill Your Timid Notion on Tour
Keiji Haino's face and hands blurred in circular movement on stage at MLFC 05
20 May 2005
The Sage Gateshead

The Secret of Music

Keiji Haino

Haino exceeds expectation with a 4 hour solo performance on a collection of more than forty instruments from all over the world.

Music Lover’s Field Companion 05
Untitled-2
17 November 2017
Kinning Park Complex

Storyboard P at Kinning Park Complex

Storyboard P

During Episode 9 we made this clip with Storyboard P at Kinning Park Complex. Video by Ash Reid.

Episode 9: Other Worlds Already Exist
Kai Faguchinski and Klaus Filip performing at MLFC on clarinet and laptop
12 May 2007
The Sage Gateshead

Los Glissandinos

Kai Fagaschinski Klaus Filip

Los Glissandinos work with clarinet and sine tones beating and thrumming in your middle ear, all beautifully paced and serene, but with just enough steely menace broiling under the surface to keep you on edge.

Music Lover’s Field Companion 07
Robin Hayward and Radu Malfatti play brass instruments at the far end of a room
16 February 2008
The Arches

Wandelweiser

Antoine Beuger Manfred Werder Radu Malfatti

Expansive and considered, inclusive and deeply human minimalism: Antoine Beuger, Radu Malfatti, Manfred Werder.

INSTAL 08
Still from Robert Nelson's film Bleu Shut 'Bottoms Up'
15 May 2010
Tramway

Bleu Shut

Bleu Shut reveals, and allows us to enjoy, our gullibility within the pervasive absurdity of modern life.

UNINSTAL
A pink and mauve background with black text reads The Poetics of Abolition
10 August 2020
Online

Poetry is Not a Luxury: The Poetics of Abolition

Canisia Lubrin Christina Sharpe Nat Raha Saidiya Hartman Nydia A. Swaby

A panel exploring the poetics of abolition. “Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change.”

Revolution is not a one-time event
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