Three intense solo performances for drums (both played and screamed through), cymbal, voice, credit card, bird whistle, and guitar amplifier/leads.
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
Intriguing, underground, Berlin based musicians interested in the borders between music and theatre, language, the visual arts, politics.
Paper Piece: Secrets is a performance for and with the whole audience, using paper, text, secrets, being in the crowd
An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.
Trans-temporal drag, sexuality and the re-staging of illegible moments in history.
The club as a community and a site for performed politics: deep/ queer house, vogue femme, lipsync and ballroom.
What would have happened in 1963 if someone from the voguing ball scene going on in Harlem had travelled downtown to perform alongside the early postmoderns at Judson Church?
A performed film lecture exploring how the ‘Rumberas’ of Caribbean cinema of the 40’s and 50’s subverted demeaning images of themselves through dance, sound and a sociality that insisted on blackness as being a cultural performance, not simply due to skin colour.
A performative survey of listening, as we managed to find it being used as a tool in different practices, disciplines and communities in North America (music, poetry, film, philosophy, activism…).