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Publication, Nov 2024

IN OUR LIFETIME – A New Anti-Imperialist Resource

Hussein Mitha

IN OUR LIFETIME, is an anti-imperialist resource, edited by Hussein Mitha, produced by Arika for Episode 11, featuring poetry, essays, questions, prompts, letters and works of anti-colonial imaginary.

Episode 11: To End the World As We Know It
18 – 21 November 2024
ATLAS Arts

Karrabing at ATLAS Arts

Karrabing Film Collective

As part of Karrabing’s visit to Scotland, the collective will be hosted for three days in the Isle of Skye by The School of Plural Futures.

Episode 11: To End the World As We Know It
From a flat roof top, a pigeon flys to the right. on the roof are metal canisters weighted with brick, metal poles and frames and wires. In the distance we see the blurred outline of a city located in a dry desert like landscape.
17 November 2024
Tramway Live Stream

Toward Nakba as a Planetary Process

Ayreen Anastas Rene Gabri Houria Bouteldja Avery F. Gordon Amirah Silmi Françoise Vergès Additional Contributors

An assembly to try and provide some experiential and theoretical resources for the renewal of a certain affective, extra-political sociality, in the face of one of our great adversaries; the forces of colonial, imperial, genocidal denial.

Episode 11: To End the World As We Know It
people sitting at tables within a dark room, lit with brightly coloured fairy lights
13 November 2024
Tramway Live Stream

Four Endings to Begin

Masa Nazzal River MacAskill Hannah Proctor Gracie Mae Bradley Joel White

Four perspectives from people involved in different anti-capitalist and anti-racist struggles, considering how ideas of ‘ending’ have shaped their political thinking and praxis.

Episode 11: To End the World As We Know It
An overlaid image of a coastline with foamy waves and tree bark
16 November 2024
Tramway Live Stream

If there is a future to imagine, it is ancestral

Amilcar Packer Arissana Pataxó Geni Núñez

A Study Session focused on the thinking of Ailton Krenak – one of the great leaders of the Brazilian indigenous movement – led by curators and artists Amilcar Packer Arissana Pataxó.

Episode 11: To End the World As We Know It
15 November 2024
Tramway

IN OUR LIFETIME Workshop

Hussein Mitha

A workshop for educators, activists and young people to think about radical, anti-imperialist pedagogy, and what fighting for the Palestinian cause looks like for young people in the imperial core. PDF of the resource available soon.

Episode 11: To End the World As We Know It
28 March 2024
Performance Space New York Online

A Global Feminist Critique of Capital: Reflecting on Fanon, Federici, Spillers, and Spivak

Silvia Federici Hortense J. Spillers Gayatri C. Spivak Denise Ferreira da Silva Paula Chakravartty

A conversation and livestream considering a global feminist critique of capital with Silvia Federici, Hortense Spillers and Gayatri C. Spivak.

Two people sit on a sofa facing each other, they are licking cakes in an exaggerated manner. There is text on the image. It reads "If words are magic, and therefore speaking is akin to weaving spells, then what is lying?"
25 November 2023
Conway Hall

Book Launch: Truth and Lies (London)

Marin Scarlett Lib Lobberson ZuZu Gabrielli Maedb Joy Black Venus Chao-Ying Betty Rao

An evening extravaganza celebrating the London launch of Truth & Lies: an Anthology of Writing and Art by Sex Workers

Expect slutty DJs, playful performances, stripper poles, rococo cakes, union broads and intimate readings…

30 July 2022
CCA

Book Launch: Truth and Lies – an anthology of writing and art by sex workers

An evening of live performances, readings & saucy rococo cakes celebrating the launch of Truth and Lies – An Anthology of Writing and Art by Sex Workers.

A peachy orange background has black text that says Abolitionist Feminist Future
3 August 2020
Online

The Master’s Tools Will Never Dismantle the Master’s House: Abolitionist Feminist Futures

Akwugo Emejulu Gail Lewis Hortense J. Spillers Miss Major Zoé Samudzi

A panel exploring how to dismantle the master’s house — its material edifices and ideological architecture — and the construction of abolitionist futures in the present.

Revolution is not a one-time event
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