A performed filmic conversation on queer and black world making.
An open conversation hosted by Saidiya Hartman and Fred Moten around ‘fugitivity’ and ‘waywardness’ and what it means to be in flight, excessive or ungovernable.
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?
Killer of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.
A socio-poetic reading on wayward communities – The wayward create upheavals, incite tumult. They come and go as they please; they are fugitive; they are in open rebellion against society.
A 3-day exploration – through performance, screenings and discussion – of the art and politics of wayward communities who refuse to be bound by the fictions of race and sex.
In a moment of social exhaustion, we want to ask how we might care for each other differently. We Can’t Live Without Our Lives is a 5-day exploration of care as a form of struggle and resistance, with communities who embody it.
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
An audio/ video, lecture/ performance exploring the queer and companionly inter-activity of human-animal relations.