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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (704)

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Graphic of a white bird on a black background
1 December 2002
The Arches

INSTAL 02

The second edition of the INSTAL festival broadened it’s scope to include performances from Francisco Lopez, Phil Niblock, Stefan Mathieu, Alva Noto, Ryoji Ikeda and John Wall.

Pieces of coal on a sheet of white paper
10 October 2008
DCA

Benedict Drew & Sachiko M

Benedict Drew Sachiko M

Laser beam sine tones used to draw delicate, abstract patterns by vibrating charcoal, placed atop of a great strip of paper running through the gallery; beautiful, fragile sound-created autonomous drawing.

Kill Your Timid Notion 08
The porcelain head of a doll stands out from a black background.
30 September 2020

Not Going Back to Normal

Arika is proud to be one of several arts organisations in Scotland supporting the commissioning of a radical new manifesto, by and for disabled artists working in Scotland.

Rhodri Davies and Terry Day performing at MLFC 07
13 May 2007
The Sage Gateshead

Rhodri Davies & Terry Day

Rhodri Davies Terry Day

Terry is one of the most entertaining and unpredictable musicians in the London free improvising music scene. Rhodri Davies extends his instrument under a battery of techniques creating sound colours and textures quite alien to the harp.

Music Lover’s Field Companion 07
A gender queer performer sits in a chair on stage, smoking, flanked by plants
26 May 2013
Tramway

Boudry/Lorenz

Pauline Boudry Renate Lorenz

Trans-temporal drag, sexuality and the re-staging of illegible moments in history.

Episode 5: Hidden in Plain Sight
Inure Takehashi playing a snare drum among buddleia
15 July 2007
The former Abbeyhill Station

Shadowed Spaces Edinburgh

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

The site of the former Abbeyhill Station on the 1903 Leith branch of the Edinburgh and Dalkeith railway, overgrown and leading to as yet un-regenerated ‘wasteland’; taxi’s for 80 people, each instructed to take different routes between locations and; a slice of land concealed behind corporate business park branding off the Wester Approach Rd, apparently of no conceivable use and named ‘Chateaux de Scum’ by those who use it anyway.

Shadowed Spaces
Pools of light show music stands holding large books
24 February 2012
Tramway

De Musicorum Infelicitate

Esther Ferrer Walter Marchetti

‘Ten Pieces in the Form of Painful Variations’ for piano, an impossible score that looks like a grapeshot musical stave, a text of barbed loathing and doubt – an anti-composition.

Episode 2: A Special Form of Darkness
Ali Robertson Hunches over a table with lots of small metal objects on it
21 March 2009
The Arches

Free-form hook up

Ali Robertson Euan Currie Fritz Welch

Dead Labour Process drool-tape farmer, squeaking/creaking Usurper brother and Peeesseye’s yodelling traps-man hold a real OUT splutter party.

INSTAL 09
A woman in a white dress jogs across a frame screened on a wall
27 February 2010
DCA

Film Programme 2: Repetitive Actions

Emma Hart Guy Sherwin Morgan Fisher Various Artists

Setting up a minimal procedure to explore the interaction between a person and the (documentary) film/ video process. What initially seems simple ends up contrarily distanced and intimate, public and private.

Kill Your Timid Notion 10
Robert Softley Gale working at a computer next to a bath robe
18 November 2017
Tramway

Discourse or Intercourse: One on One

Robert Softley Gale

Ten short intimate one-on-one conversations with Robert Softley Gale – We all want to see ourselves reflected in the world around us—in society, in art, in culture… in porn?

Episode 9: Other Worlds Already Exist
William Basinski in shirt and tie, blue screen behind, gold table to the fore
16 October 2004
The Arches

William Basinski

William Basinski

Improvising using nothing so much as the passage of time as his instrument, Basinski creates works of great melancholic depth and fragile beauty.

INSTAL 04
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