Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Sound as it is endured by space and the body: 15 participants lie face down and pound the floor with a microphone one thousand times, each person choosing their own rhythm and intensity.
A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.
‘Ten Pieces in the Form of Painful Variations’ for piano, an impossible score that looks like a grapeshot musical stave, a text of barbed loathing and doubt – an anti-composition.
Arrive, get settled, be hosted and meet-up in IRL and URL.
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
John Butcher plays and manipulates a feeding back saxophone. Benedict Drew on electronics, broken cables and standing waves.
Poetry of raw fearless truth and the realest crip insight fully embedded in absolute lyrical lounge.
A short chat about what we (Arika) might be trying to do with our program for the Biennial.
Umeda is a Japanese artist who is as fascinated in setting up interesting situations to observe, as he is in creating performances.
Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.
As opposed to suggesting soundtrack’s to Brakhage’s works [which are almost entirely silent] Text of Light use his works to stimulate improvisation, enveloping them into the structure of the group much like an additional musician.
A kind of performed installation of searing noise and silence, where we’re not sure who the performer is, when it starts or ends or even who it’s for.
