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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Current 93 on stage at INSTAL 04
16 October 2004
The Arches

Current 93

Current 93

One of the most revered and legendary underground acts of the past 20+ years, Current 93 is the constantly evolving creation of David Tibet.

INSTAL 04
Still from animated film ‘shit’s totally fucked! What can we do? A mutual aid explainer’ – text and illustrations on paper and wood, that spells out “something really important about all this is that Mutual Aid is not Charity”
9 March 2022

Mutual Aid on the Road to Abolition

Dean Spade Abolitionist Futures

How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?

Mutual Aid
under a dramatic spotlight boychild wrapped in string is hunched and performs
25 May 2013
Tramway

#untitled lipsync 2

boychild

The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.

Three slashes of colour in a black film frame, blues, pinks, reds
19 February 2006
DCA

Film Programme 3: Retro

Various Artists

Birthed from the collective stagger in global consciousness of the late 50’s and 60’s, this programme celebrates epochal, groundbreaking films that all address sound in their own way and that have opened pathways to experimentation.

Kill Your Timid Notion 06
V∞redoms on stage at INSTAL 03 amidst at least three drum kits
23 November 2003
The Arches

V∞redoms

Rare UK performance by legendary Japanese post punk group during their 4 drummers + synth / vocals phase.

INSTAL 03
Koji Asano and friend backstage at INSTAL 02
1 December 2002
The Arches

Eclipse of the Moon from the Backyard

Koji Asano Paragon Ensemble

Work for cello, percussion, contra bassoon and cherbulum commissioned for Instal in collaboration with Paragon

INSTAL 02
a fisheye lens looks up a blue sky with skyscrapers towering around
14 April 2007
DCA

Film Programme 1: In + Out

Guy Sherwin Various Artists

Includes: a polish counting lesson, around NYC with D A Pennebaker, a portrait of a tower block, a man with a spade, at home with KYTN regular Guy Sherwin, a cinematic Blair Witchish cut-up and a song for some swings.

Kill Your Timid Notion 07
twelve rectangular images projected on a long screen
10 October 2008
DCA

After Leonardo

Keith Rowe Malcolm Le Grice

A poetic multi-screen performance about “the inadequacy of the arbitrary passing moment and the impossibility of permanence”. About time and change.

Kill Your Timid Notion 08
A man crouching before an audience operating a projector
13 April 2007
DCA

Keith Evans & Coelacanth

Keith Evans Loren Chasse

A system in which film is projected onto copper strips, captured again and then re-projected as video, somehow transforming the original imagery into molasses-slow, molten and incredibly tactile flickers of colour and light.

Kill Your Timid Notion 07
A room full of plinths with candles on top
13 April 2007
DCA

Joe Colley

Joe Colley

Joe Colley specialises in hotwired sound constructions full of ominous electronic disturbances and caustic, noxious drones. For KYTN, Joe created a situation of controlled chaos with 50 light sensitive oscillators placed in a field of candles.

Kill Your Timid Notion 07
Mirror performing in front of a projection at KYTN 04
10 December 2004
DCA

Mirror with a film by Bill Morrison

Bill Morrison Mirror

Andrew Chalk & Christoph Heemann return with their diaphanous, impressionistic drone duo; their slowly evolving and enthralling works flutter and quiver with elegantly restrained, miniature sound events.

Kill Your Timid Notion 04
A table with three microphones, chairs and named placards. The seats are empty
24 March 2012
Tramway

Combatant Status Review Tribunal

Andrea Geyer Ashley Hunt David Thorne Sharon Hayes Katya Sander

Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.

Episode 3: Copying without Copying
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