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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A spectral Keiji Haino hardly visible on stage in near darkness
26 February 2012
Tramway

Keiji Haino

Keiji Haino

Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.

Episode 2: A Special Form of Darkness
Sparklers mounted on stands with microphones being lit with a gas burner
14 October 2006
The Arches

Sparklers and Table Top Set

Lee Patterson

Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.

INSTAL 06
A view looking down a stone spiral staircase. A pair of trainers is on a step.
14 February 2008
Glasgow Uni Music Dept

Personal Space

Aileen Campbell Neil Davidson

Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.

INSTAL 08
Text super-imposed on two people
21 October 2016
Tramway

Queer Liberation: No Prisons, No Borders

Dean Spade Hope Dector Tourmaline

A crash-course in pre-figurative, radical, queer, anti-racist, anti-police, anti-prison, anti-deportation abolitionist politics and trans-resistance.

Episode 8: Refuse Powers’ Grasp
Ulrike Flaig operating equipment by a cathode ray television
11 December 2004
DCA

Perlonex & Ulrike Flaig

Burkhard Beins Ignaz Schick Joerg Maria Zeger Ulrike Flaig

Real-time video feedback loops submerged in laminal sheets of sound soaked in gauzy timbral detail and multi-valenced, buzzing overtones.

Kill Your Timid Notion 04
A man sits at a desk with a large timer clock on it and speaks to camera
28 February 2010
DCA

Morgan Fisher – Screening and Chat

Morgan Fisher

Morgan Fisher is a filmmaker of great wit and charm who uses the tools of experimental film to dissect the basic presuppositions of commercial cinema.

Kill Your Timid Notion 10
A pink and mauve background with black text reads The Poetics of Abolition
10 August 2020
Online

Poetry is Not a Luxury: The Poetics of Abolition

Canisia Lubrin Christina Sharpe Nat Raha Saidiya Hartman Nydia A. Swaby

A panel exploring the poetics of abolition. “Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change.”

Revolution is not a one-time event
An abstract texture against a black background
18 February 2006
DCA

Sandra Gibson, Luis Recoder & Daniel Menche

Luis Recoder Sandra Gibson Daniel Menche

A collaborative performance where sound and image are created, performed and mediated by light, water and glass.

Kill Your Timid Notion 06
A panel of four folks sit as one wearing a dark jacket and specs speaks
18 April 2014
The New School

Literary Reflections of Ballroom

Various Artists

A celebration of the release of four books written by members of, and focused on about the House and Ballroom scene.

Master Ballstar Weekend
Close up of a radio with a glowing fluorescent tube on top
12 April 2007
DCA

Chord of the Fifth Force

Barry Weisblat

A drone installation populated by flourescent strip lights working in complicity with analogue radios – “all the lights just do their thing”.

Kill Your Timid Notion 07
A shot of a boldly decorated bedroom, red walls, fairy lights, myriad flowers
28 February 2010
DCA

Film Programme 6: Production

Ken Jacobs Various Artists

The production of moving image (film) by the mechanically, unfalteringly repetitive manipulation of mass-produced materials (film), in order to explore three different allegorical representations (films) of repetitive human actions and labour under capital.

Kill Your Timid Notion 10
A table with three microphones, chairs and named placards. The seats are empty
24 March 2012
Tramway

Combatant Status Review Tribunal

Andrea Geyer Ashley Hunt David Thorne Sharon Hayes Katya Sander

Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.

Episode 3: Copying without Copying
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