Daniel Carter & William Parker
Daniel Carter William Parker
What might Carter and Parker’s collaboration tell us about our own performances of responsibility and liberty, whether individual, social or musical?
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
What might Carter and Parker’s collaboration tell us about our own performances of responsibility and liberty, whether individual, social or musical?
A short chat about what we (Arika) might be trying to do with our program for the Biennial.
A sound of buzzing and flickering metallic drones, glottal stops and guttural growls, and also an explosiveness and purity of sound that reminds you as much of Bill Dixon as anyone else.
Slapstick comedy, monologue, and a kind of live sculpture transformed through video, props, musical instruments and make-up.
An extravagant debauch of huge pianos, plush toys, cognac and ritual.
Christian Bök‘s work spans thrillingly conceptual poetry to body-shaking vocal performances.
Taking a scalpel to the relationship between performer and audience: cutting something out to see what’s left, a drastic subtraction and shift of emphasis.
Three documentary films exploring diverse realities of sex workers around the world followed by a closing ceremony of the festival.
Guy Sherwin gives a kind of annotated, chat through his optical sound films
Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.
A rare live performance which, although not a full installation, made use of the unique acoustic and spatial properties of the Arches to rattle the audience and help it locate its third ear.
Long Stringed Instrument performance involving up to 100 wires strung in tension over a 40m arch.