Before or after finitude?
Arika Catherine Christer Hennix Florian Hecker Robin MacKay
Electronic music, time, thought, the word, and consecutive matters
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Electronic music, time, thought, the word, and consecutive matters
Droner responsible for Fordell Research Unit, Muscletusk’s murk manipulator and Metzian concrete-mixer cement international relations and yr heids.
A performance for projectionist, musicians and audience, which plays with references to Oscar Levant and Gershwin: apparently a series of small doses of chaos.
Koji Asano, Japanese composer and sound-artist performing slow groaning burbling tones, moaning echoes and drones.
Transfeminist and revolutionary poetry, voice and timbral abstraction: a sounding and spatialising of reparative sonic and somatic practices that can speak back to violent histories of expropriation and ecocide.
A full-blooded, emotional attempt to reinvigorate improvisation from a musically inclined philosopher and two philosophically inclined improvisers.
A specially commissioned performance for organ. “The course of the stars were to be put to sound.”
Includes: a polish counting lesson, around NYC with D A Pennebaker, a portrait of a tower block, a man with a spade, at home with KYTN regular Guy Sherwin, a cinematic Blair Witchish cut-up and a song for some swings.
A performed filmic conversation on queer and black world making.
Live ISDN drone performance resonating between Dundee and an empty Montreal Grain Silo.
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.