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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Episodes
A portrait of Fred Moten wearing sunglasses and a cheeky smile

artist

Fred Moten
Portrait of Chuquimamani-Condori, they are wearing an off-white cowboy style hat and white casual top.

Type

Music Performance
under a dramatic spotlight boychild wrapped in string is hunched and performs

Theme Pair

Body | Disembody

All Archive (712)

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A film still. In the foreground is the hand of a person lying on the ground in a wooded area that is covered in leaves. The hand is painted white, palms down in a slightly clawed resting on the leaves.
16 November 2024
Tramway Live Stream

The Ancestral Present

Karrabing Film Collective Elwood Jimmy

Watching films and chatting with Karrabing members about those films: as they attend to the memory and practice of the ancestral present and the ancestral catastrophe that Karrabing and their more-than-human world find themselves facing.

Episode 11: To End the World As We Know It
Vibracathedral Orchestra on stage in red light
23 November 2003

Vibracathedral Orchestra & Matthew Bower & John Godbert

John Godbert Matthew Bower Vibracathedral Orchestra

For this one off performance Vibracathedral Orchestra are joined by Matthew Bower and John Godbert from mighty UK heavy/drone/psych free-noise behemoths Skullfower, Sunroof! and Total.

INSTAL 03
Robin MacKay sits on a panel of 4 people. He leans forward to speak into a mic
13 November 2010
Tramway

Before or after finitude?

Arika Catherine Christer Hennix Florian Hecker Robin MacKay

Electronic music, time, thought, the word, and consecutive matters

INSTAL 10
An overlaid image of a coastline with foamy waves and tree bark
16 November 2024
Tramway Live Stream

If there is a future to imagine, it is ancestral

Amilcar Packer Arissana Pataxó Geni Núñez

A Study Session focused on the thinking of Ailton Krenak – one of the great leaders of the Brazilian indigenous movement – led by curators and artists Amilcar Packer Arissana Pataxó.

Episode 11: To End the World As We Know It
A man holding a flying v guitar above his head
14 October 2005
The Arches

Black Boned Angel

Black Boned Angel

Black Boned Angel’s is a rock sound, stripped of all extraneous detail right down to its core, stretched out and nailed to the ceiling.

INSTAL 05
Ulrike Flaig operating equipment by a cathode ray television
11 December 2004
DCA

Perlonex & Ulrike Flaig

Burkhard Beins Ignaz Schick Joerg Maria Zeger Ulrike Flaig

Real-time video feedback loops submerged in laminal sheets of sound soaked in gauzy timbral detail and multi-valenced, buzzing overtones.

Kill Your Timid Notion 04
Jimmy Robert sits at the edge of a lit square on the floor, one leg bent up
26 May 2013
Tramway

Suspended closure, suspended

Jimmy Robert

When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?

Episode 5: Hidden in Plain Sight
V∞redoms on stage at INSTAL 03 amidst at least three drum kits
23 November 2003
The Arches

V∞redoms

Rare UK performance by legendary Japanese post punk group during their 4 drummers + synth / vocals phase.

INSTAL 03
Paul Sharits' Shutter Interface projected on a wall: three bands of colour
13 April 2007
DCA

Shutter Interface

Paul Sharits

Paul Sharits’ Shutter Interface is a multi screen installation born of an intent to reveal the material substance of cinema in its purest form: spatially.

Kill Your Timid Notion 07
B&W film still of a boy jumping from one roof to another, taken from below
26 September 2014
Tramway

Killer of Sheep

Killer of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.

Episode 6: Make a Way Out of No Way
An actor playing a reporter at a trial sits in front of a drawered wall
23 March 2012
Tramway

Criminal Case 40/61: Reverb

Andrea Geyer

A performed installation by one of Germany’s most interesting visual artists, based on edited transcripts of the 1961 trial of Adolf Eichmann in Jerusalem and the writings of Hannah Arendt

Episode 3: Copying without Copying
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