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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A man holding a guitar with a strip of film in the strings
19 February 2006
DCA

Emma Hart & Benedict Drew

Benedict Drew Emma Hart

An original and beautifully simple performed installation forging a direct link between sound and image.

Kill Your Timid Notion 06
Two figures in negative black and white
19 November 2017
Tramway

The Black Sun

Johannes Hammel

Inspired by Delany’s Aye, and Gomorra. A spookily filmic world where asexual bodies live in the contradiction of their unarousable loneliness and desire for intimacy and contact.

Episode 9: Other Worlds Already Exist
Paul Sharits' Shutter Interface projected on a wall: three bands of colour
13 April 2007
DCA

Shutter Interface

Paul Sharits

Paul Sharits’ Shutter Interface is a multi screen installation born of an intent to reveal the material substance of cinema in its purest form: spatially.

Kill Your Timid Notion 07
Drawing of concentric arrows with 3 words in the centre: attacker, helper,victim
19 April 2015
Tramway

Work Care Class 3 – Care & Revolution

Howard Slater

Final workshop exploring work, care and class. Does the ‘care industry’ summon forth its own class? Can this ‘affective class’, in their ability to care for others, militate against the carelessness of self-interest?

Episode 7: We Can’t Live Without Our Lives
A man sits at a desk with a large timer clock on it and speaks to camera
28 February 2010
DCA

Morgan Fisher – Screening and Chat

Morgan Fisher

Morgan Fisher is a filmmaker of great wit and charm who uses the tools of experimental film to dissect the basic presuppositions of commercial cinema.

Kill Your Timid Notion 10
Two photos of women in 40's costume sat at an old desk
4 May 2012
Whitney Museum of American Art

Comrades of Time

Andrea Geyer

Seven women recite monologues composed from texts from the vibrant years of the Weimar Republic. A kind of cultural echo: an experience of histories brought to the present.

A survey is a process of listening
Ultra-red & Nancy Nevarez seated around a large table with audience members
4 May 2012
Whitney Museum of American Art

What is the Sound of Freedom?

Nancy Nevárez Ultra-red

For day three of Ultra-red’s project, the investigation will take up protocols for listening to the sound of freedom composed and facilitated by Nancy Nevárez.

A survey is a process of listening
A chorus in white boiler suits stand behind a concrete frieze of Russian workers
22 January 2012
CCA

The Songspiels of Chto Delat?

Chto Delat

The Songspiels take on a mode of musical theatre developed by playwright Bertolt Brecht and composer Kurt Weill in the early twentieth century, presenting political and social concerns through the accessible and (often funny) form of song.

Episode 1: A Film is a Statement
Otomo Yoshihide seated between two upright pianos their interiors exposed
22 March 2009
The Arches

Filament: Sachiko M & Otomo Yoshihide

Otomo Yoshihide Sachiko M

Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.

INSTAL 09
An actor looks off stage left, his eyes seem scared and wary
19 February 2006
DCA

Film Programme 5: Drama

Christian Marclay Ian Helliwell Various Artists

Whether drawing their own fractured, abstract narrative, or re-contextualising, chewing up and spitting out someone else’s, each of the films here take a dramatic arc as their starting point and throw it to the wind.

Kill Your Timid Notion 06
Two people standing by a door, one is wearing a purple cloak
21 October 2016
Tramway

Criminal Queers

Chris Vargas Eric A Stanley

Criminal Queers visualises a radical trans/queer struggle against the prison industrial complex, working to abolish the multiple ways our hearts, genders, and desires are confined.

Episode 8: Refuse Powers’ Grasp
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