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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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a banner with painted letters saying sex work is work
20 April 2017
Terrence Higgins Trust

Community Discussion: LGBTQI People & Sex Worker’s Rights

Join Umbrella Lane and special guest migrant trans sex workers in a community discussion about the points of intersection in LGBT people’s rights and sex worker’s rights.

Sex Workers’ Festival of Resistance
A flowering bush next to a fence in front of a clear blue sky
11 December 2004
DCA

Film Programme 3: Place

Various Artists Benedict Drew

Each of these films addresses place, landscape or location and the personal reaction to their magical or concrete properties. Watch out for Kren’s structural, throbbing investigation of a forest and Baillie’s intimate and humble essay on a blind guitarist and the relationship between songs of Mexican revolutionaries and the people and places they looked to inspire.

Kill Your Timid Notion 04
An alto saxophone lying on a red cloth along with various small objects
22 March 2009
The Arches

Seymour Wright

Seymour Wright

A saxophone. Handheld fans. Shrill squeaks. Splutters, gargling. An incredible diversity of sounds, intensely focused by an inventive musician.

INSTAL 09
Brown Background with Bold Block text reads Instal 06 Brave New Music
13 – 15 October 2006
The Arches

INSTAL 06

The 2006 INSTAL festival saw a broad selection of artists that included Blood Stereo and Ludo Mich, Ellen Fullman and Sean Meehan, Keiji Haino and Tony Conrad and a specially created performance by Maryanne Amacher.

Sparklers mounted on stands with microphones being lit with a gas burner
14 October 2006
The Arches

Sparklers and Table Top Set

Lee Patterson

Sonic ‘observations’ of the world, through micro recordings on a tiny scale and transformed into something musically compelling.

INSTAL 06
A full theatre looks back at the camera
27 February 2010
DCA

Screening Room & Teatro Amazonas

Morgan Fisher Sharon Lockhart

A double bill. A simple first person, Dundee-specific tracking shot that approaches the cinema/ screen/ space the film will eventually be shown in and in Brazilian opera house, a fixed camera gazes at a local audience from the stage: a choir, hidden in the orchestra pit, sings and gradually fades to silence.

Kill Your Timid Notion 10
Arika_Instal08_BryonyMcIntyre_IMG_390076
16 February 2008
The Arches

Translation

Jarrod Fowler

Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.

INSTAL 08
Image with the words: Icebreaker International
9 December 2001
The Arches

Icebreaker International

Icebreaker International

An audio report for the NATOarts board of directors that seeks to promote global security and stability through the exhibition of works of conceptual art.

INSTAL 01
A gender queer performer sits in a chair on stage, smoking, flanked by plants
26 May 2013
Tramway

Boudry/Lorenz

Pauline Boudry Renate Lorenz

Trans-temporal drag, sexuality and the re-staging of illegible moments in history.

Episode 5: Hidden in Plain Sight
Craig Dworkin standing by a microphone giving a talk
16 May 2010

FACT

Craig Dworkin

Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?

UNINSTAL
Bridget Hayden playing a violin with Vibracathedral Orchestra
21 May 2005
The Sage Gateshead

Vibracathedral Orchestra

Vibracathedral Orchestra

Veterans of the psych-infused UK free noise scene, the Vibracathedral Orchestra is a hypnotic ur-drone group hailing from Leeds.

Music Lover’s Field Companion 05
Still from animated film ‘shit’s totally fucked! What can we do? A mutual aid explainer’ – text and illustrations on paper and wood, that spells out “something really important about all this is that Mutual Aid is not Charity”
9 March 2022

Mutual Aid on the Road to Abolition

Dean Spade Abolitionist Futures

How do we make the connections between the mutual aid practices of our daily lives and anti-capitalist efforts to dismantle wider systems of exploitation?

Mutual Aid
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