Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
The first of two short film programmes featuring works that blur the boundaries between music and film from artists who cross and redefine those long held divisions. This programme focuses on the forebearers of filmic and musical innovation over the last 70 years.
A day of presentations and discussions on the theme of audio visual perception in the context of experimental music, film and art.
Investigating the border between the audible and the visible means looking at the margins, the edges of creativity where artists test out new boundaries and define them anew.
Includes: solar flares, insect fireworks, a new film from Ian Helliwell, pulsating glaciers, an apple being eaten alive, sea ravaged stock, crushed blackberries and film that has literally risen from the grave.
Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
Summing up of the investigations with a reflection on what has been done that week and what could be done the next.
Robin Hayward – exploring the micro-sounds of a tuba, filling slowly with sand.
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
An utterly deep introspection told in aching, weeping guitar lines; melodic, simple, always minimal but somehow entirely epic.
Out holler/ howl of English pukenoise posterboys exploded by incessant insect chatter of Northern fug dweller.
