Soulnessless – Cantos I-IV
Terre Thaemlitz
An audio and video investigation of gender cults, Catholicism, hauntings and nuns’ use of audio devices…
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
An audio and video investigation of gender cults, Catholicism, hauntings and nuns’ use of audio devices…
A sort of prayer and conference, a sort of scream and dialogue – a monologue and declaration at the time, addressing how we can build complicity with one another.
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?
Sparse and miniature free thought workouts involving guitar, vocals and tuba.
A chat with Eugene Thacker. Can we rethink the world as unthinkable, and without us?
A recorded a conversation that grounds the Episode, exploring Ailton Krenak’s thinking and distinct poetics of life; as it work against capitalism and fascism, as a denunciation of political alliances, and maybe even of ‘politics’.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
Slapstick comedy, monologue, and a kind of live sculpture transformed through video, props, musical instruments and make-up.
Sachiko M and Ami Yoshida, two of the most prominent members of the Onkyo movement, place much more emphasis on sound texture than on musical structure, distilling elements of techno, noise, and electronic music into a unique hybrid.
Akio Suzuki and John Butcher performing in an old underground reservoir in Fife.
How do communities practice being one another’s means, addressing their material problems facing them replicating the state’s violent logic of who is disposable.
A chat with Rashad about the communist, conceptual methodology that informs his ground-breaking synthetic music—a form of speculative sonic fiction writing to produce hyperreal non-representational auditive experiences.