Infest – Polly Shang Kuan Band
Polly Shang Kuan Band
Ever changing coven of feedback worshipping witches led by Blood Stereo/ Smack Music 7 shrieker Karen Constance spit audio hexes through yr skulls.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Ever changing coven of feedback worshipping witches led by Blood Stereo/ Smack Music 7 shrieker Karen Constance spit audio hexes through yr skulls.
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
A silent collage of found film footage partially layered with computer graphics to provide a framework in which live music can develop.
An original and beautifully simple performed installation forging a direct link between sound and image.
Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.
An immersive live performance for multiple 16mm film and bass clarinet, taking in the whole gallery, submerging the audience.
In true reality television style, this in-depth artist talk will tackle all the hardest-hitting questions and juiciest details about care, creative collaboration, and disability justice.
An open conversation around the history and practices of the Ueinzz Theatre Company – a radical Brazilian schizoscenic theatre company of carers, so-called psychotic patients and philosophers.
Reveling in the geometric, mathematical and perceptual relationship between sound and form, this programme features a landmark work of experimental film in Kubelka’s Arnulf Rainer; a complex, enduring and expressive of structuralist or flicker films.
One of the most arresting and unique improvisers in Japan, creating an original and powerful body of free music.
CCI Sound system: a performance in which new material will be mixed and phased between two huge PA’s, one a precise Meyer system, the other a huge wall of Marshall amps
Post consideration and post rationalisation… How do we think about experimental music and film after the performance?