Sound Cuts
Guy Sherwin
Noise music for the eyes. A 6 screen 16mm projection performance of intense audio and visual stimulus.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Noise music for the eyes. A 6 screen 16mm projection performance of intense audio and visual stimulus.
Sound as it is endured by space and the body: 15 participants lie face down and pound the floor with a microphone one thousand times, each person choosing their own rhythm and intensity.
Akio Suzuki and John Butcher performing in an abandoned oil tanker on Hoy.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
A sort of prayer and conference, a sort of scream and dialogue – a monologue and declaration at the time, addressing how we can build complicity with one another.
Bleu Shut reveals, and allows us to enjoy, our gullibility within the pervasive absurdity of modern life.
AVVA sees the internal feedback of Toshi’s no-input mixing desk is fed to Billy, and transformed into bright and variegated patters, striations and blooming colour, before being fed back to Toshi and manipulated on route to the PA.
Three short performances involving social exchange (jumpers, hats, glasses…) and singing (ballads)
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
Dworkin asks: What would a non-expressive poetry look like? A poetry of intellect rather than emotion?
Simon Morris is joined by Nick Thurston as they attempt to read aloud whilst peddling on exercise bikes.
Intriguing, underground, Berlin based musicians interested in the borders between music and theatre, language, the visual arts, politics.