William Basinski
William Basinski
Improvising using nothing so much as the passage of time as his instrument, Basinski creates works of great melancholic depth and fragile beauty.
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Improvising using nothing so much as the passage of time as his instrument, Basinski creates works of great melancholic depth and fragile beauty.
An contradictory guitarist, he’s equally at home in slow, halting acoustic improvisation or piercing minimal examinations of electric guitar.
Includes: a polish counting lesson, around NYC with D A Pennebaker, a portrait of a tower block, a man with a spade, at home with KYTN regular Guy Sherwin, a cinematic Blair Witchish cut-up and a song for some swings.
Julius Eastman’s Evil Nigger for 4 pianos performed by Joe Kubera, Kate Thompson, David Murray, Alan Fearon and Simon Passmore.
Is it possible to dance our way out of the hardened stances and identity prisons we are locked in?
Live ISDN drone performance resonating between Dundee and an empty Montreal Grain Silo.
Formed as a means to realise William Bennett’s goal of “a sound that could bludgeon an audience into submission”
Ken presents his Nervous Magic Lantern, wherein film itself is forsaken for an investigation of hypnotic and trancelike crystaline forms. Eric La Casa works with recordings of everyday occurrences: the background hum of place.
What does it mean to listen with the mind as well as the ears? A solo performance from the great avant-garde pianist.
Each organ is unique. The project is to find out what makes it unique.
A joyful conversation discussing disability, gender transition and care labour as expressions of virtuosic and innovative skills that make care – good care – possible.
A performance bearing witness to a struggle built upon patience and collective action from the great multi-instrumentalist and member of the AACM.