
Party & Performances
Marianne Chargois MC Ray St. Ray Sex Workers’ Opera
A party and fundraiser to support Sex Workers’ struggles and LGBT Unity with music and performances from the sex workers’ community and allies, plus DJ’s and dancing.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
A party and fundraiser to support Sex Workers’ struggles and LGBT Unity with music and performances from the sex workers’ community and allies, plus DJ’s and dancing.
Inspired by the supernatural horror of H. P. Lovecraft, black metal and a sense of worry as to what constitutes an object, or a world.
A temporary archive and research space tracing the ways in which sound and audition move through everyday life.
A multi-speaker, electronic, spacious and spatial performance from Florian Hecker.
A performed filmic conversation on queer and black world making.
Out of a dark haze, shafts of lights are picked out from the surface of film. Out of the black silence, noise, audible scratches bloom into a bright drone of broken and cracked objects.
Killer of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.
Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.
Voguing, drag, clubbing, and the politics of communities making different performances of gender and sexuality visible.
A sound of buzzing and flickering metallic drones, glottal stops and guttural growls, and also an explosiveness and purity of sound that reminds you as much of Bill Dixon as anyone else.
A fully transcribed, described, and open-captioned film screening that’s nothing short of their actual open heart.
Can a collective performance of NourbeSe’s poem of black life as it exceeds containment enact alternative forms of selfhood that emerge in and out of African diasporic experience?