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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Keiji Haino's face and hands blurred in circular movement on stage at MLFC 05
20 May 2005
The Sage Gateshead

The Secret of Music

Keiji Haino

Haino exceeds expectation with a 4 hour solo performance on a collection of more than forty instruments from all over the world.

Music Lover’s Field Companion 05
Kan Mikami & JO JO Hiroshige playing guitars and singing at MLFC 07
11 May 2007
The Sage Gateshead

Kan Mikami & JO JO Hiroshige

JO JO Hiroshige Kan Mikami

Folk poet, actor and bon viveur Kan Mikami in duo with Jojo Hiroshige, a founding member of Japanese Noise band Hijokaidan.

Music Lover’s Field Companion 07
Man with long hair and glasses and headphones sits on a bed singing
18 February 2006
DCA

Film Programme 2: Sound

Various Artists Burkhard Stangl Werner Dafeldecker

The films in the programme take the essential and fundamental building blocks of cinema (combining sound and image through time) screw about with them, interrogate them and cast them anew.

Kill Your Timid Notion 06
Pieces of coal on a sheet of white paper
10 October 2008
DCA

Benedict Drew & Sachiko M

Benedict Drew Sachiko M

Laser beam sine tones used to draw delicate, abstract patterns by vibrating charcoal, placed atop of a great strip of paper running through the gallery; beautiful, fragile sound-created autonomous drawing.

Kill Your Timid Notion 08
Silhouette of a person in front of a blue background overlaid with blurry light
24 November 2019
Tramway

Something Said

Jay Bernard

Haunted by the archive of the New Cross Fire, Jay Bernard presents a film and poetry reading that undertakes a queer exploration of black British history, reconstructed from archives and apparent debris.

Episode 10: A Means Without End
Sachiko M & Ami Yoshida performing at INSTAL 03
23 November 2003
The Arches

Cosmos

Ami Yoshida Sachiko M

Sachiko M and Ami Yoshida, two of the most prominent members of the Onkyo movement, place much more emphasis on sound texture than on musical structure, distilling elements of techno, noise, and electronic music into a unique hybrid.

INSTAL 03
Image with the word: Rhomboi
9 December 2001
The Arches

Rhomboi

Rhomboi

Ex Ganger guitarist’s solo performance for guitar and fx, featuring breathless processed guitar, complex in structure and melody.

INSTAL 01
Film still from Oriana. The camera points from above onto the face a person with dark long hair. They look towards the sunlight with their eyes close; a green leaf covers the left side of their face. In the background is water and gravel and stone covered river bed with green foliage.
14 November 2024
Tramway

Oriana

Beatriz Santiago Muñoz

A film as a translation of Monique Wittig’s landmark feminist novel Les Guérillères, in which a plural protagonist of militant feminists inhabit a fantastical, enigmatic and hallucinatory miasmatic space-time of post Hurricane Maria Puerto Rico.

Episode 11: To End the World As We Know It
13 October 2006
The Arches

Infest – Wounded Knee

Wounded Knee

Cask-strength electrohypnol/ shroom damaged folk croonings by Lapsed Electronics empire builder responsible for recent Tremors blowouts.

INSTAL 06
Image with the words: Icebreaker International
9 December 2001
The Arches

Icebreaker International

Icebreaker International

An audio report for the NATOarts board of directors that seeks to promote global security and stability through the exhibition of works of conceptual art.

INSTAL 01
ARIKA_NO_TOTAL_2015_BM_IMG_0040
28 May 2015
Artists Space Books & Talks

No Total

Amalle Dublon Arias Abbruzzi Davis Constantina Zavitsanos Emma Hedditch Jordan Lord Morgan Bassichis

Three days of discussions, performances, actions, dancing and food – continuing No Total’s ongoing contemplation of ways of being together and the ways Arika have been entangled in those, ever since Episode 4.

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