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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (701)

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A packing case with the word ALIVE painted on it sits on stage
16 October 2004
The Arches

Baby Dee

Baby Dee

Former street performer, organist, performance artist, circus performer, harpist, accordion player, tree surgeon and tricyclist performing solo.

INSTAL 04
helloagain
15 April 2007
DCA

Film Programme 4: Beyond Image

Various Artists

Includes: a classic of innovative computer graphics, ex-pat Scot McLaren on form, a riotous psychedelic oil show with a Soft Machine accompaniment, subtle manipulation of data feedback, a colourful road movie and a reworking of a lost Paul Sharits film.

Kill Your Timid Notion 07
Three performers stand next to each other whilst singing and using their voices
21 March 2009
The Arches

Free-form hook up

Aileen Campbell Dylan Nyoukis Phil Minton

GIO’s bottomless throat, Blood Stereo’s slobber gobbler and the Mouth Of The South tangle tonsils over Steve McCaffrey’s Carnival

INSTAL 09
A man in a blue jacket seems to listen intently whilst wearing large headphones
14 November 2010
Tramway

House – “The Tipping Point”

Aileen Campbell Eric La Casa Gaël Leveugle Jean-Luc Guionnet Neil Davidson Seijiro Murayama

Listening to people listening to their own homes. Musicians and actors will listen back to recordings made in local peoples homes on headphones, and interpret/ translate what they are hearing.

INSTAL 10
A woman bends over with a stick, in the background a man is hitting a gong
21 March 2009
The Arches

Ki: Mico, Tamio Shiraishi & Fritz Welch

Fritz Welch Mico Tamio Shiraishi

A trio of Tamio’s screaming and immovable slabs of sound; Mico’s dance/ performance/ piano; Fritz’s absurd, flailing percussion/ voice.

INSTAL 09
Someone hands are bound in maybe 15 different, irregularly knotted ropes
21 November 2019
Tramway

Gravitational Feel: Opening Performance

Fred Moten Wu Tsang

Gravitational Feel is an engine for intensifying the differentiation of our entanglement, which you continually reprogramme in the mutual rub, shift and lap of its sonic, wooden, steel, textile and human material.

Episode 10: A Means Without End
Two Bain brothers look down at a lit mixer in a dark space
15 February 2008
The Arches

Self Cancellation – Archisonic

John Bain Mark Bain

A system in which oscillators shake The Arches, seismographs pick up the harmonics that are then amplified through massive sub-bass PA.

INSTAL 08
A black and while still of a photograph of a man melting on a stove
29 November 2008
BFI Southbank CCA Arnolfini

Out of Sight Out of Synch

Various Artists Hollis Frampton John Smith

Sound and image slipping out of synch and into discord, the programme includes (in London at least) a very special version of Hollis Frampton’s masterful (nostalgia) with a live narration by Michael Snow.

Kill Your Timid Notion on Tour
A design with a yellow background featuring a bottle of Chubz poppers
19 November 2017
Tramway

Chubz

Huw Lemmey

Politicised fan-fiction chronicling working class gay urban space and fantasy.

Episode 9: Other Worlds Already Exist
A flyer in black and grey that says Master BallStar Weekend
15 – 20 April 2014
MoMA PS1 The New School Holiday Inn Club Escuelitas

Master Ballstar Weekend

A series of events organised by the Vogue’ology collective from the House Ballroom community in New York grounded in the scenes history of autonomous, self-organised struggle and a shared investment in collective art practices and how those intersect with the multiple and often divergent struggles for freedom.

People milling around with sheets of paper, passing them
14 November 2010
Tramway

Paper Piece: Secrets

Brandon LaBelle

Paper Piece: Secrets is a performance for and with the whole audience, using paper, text, secrets, being in the crowd

INSTAL 10
A microphone hanging from a cable
26 February 2010
DCA

Mattin

Mattin

Taking a scalpel to the relationship between performer and audience: cutting something out to see what’s left, a drastic subtraction and shift of emphasis.

Kill Your Timid Notion 10
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