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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Jean-Luc and Toshi sitting near an organ
20 March 2009
Glasgow University Chapel

Jean-Luc Guionnet & Toshimaru Nakamura

Jean-Luc Guionnet Toshimaru Nakamura

Brain boiling duo improvisation by great Japanese no input mixing desk pioneer Toshi Nakamura and french organ philosopher Jean-Luc Guionnet.

INSTAL 09
Keiji Haino's face and hands blurred in circular movement on stage at MLFC 05
20 May 2005
The Sage Gateshead

The Secret of Music

Keiji Haino

Haino exceeds expectation with a 4 hour solo performance on a collection of more than forty instruments from all over the world.

Music Lover’s Field Companion 05
13 October 2006
The Arches

Infest – Kylie Minoise

Kylie Minoise

Power-electronic klutz behaviour indecipherable blasphemies, cuts, bruises and broken microphones by Kovorox Sound head-honcho Lea Cummings.

INSTAL 06
Nikos and Rhordi wood chipping a cello near a projector
17 – 22 March 2009
The Arches

World Music Documentary

Eva-Maria Houben Fritz Welch Hermann Nitsch Jean-Luc Guionnet Jean-Philippe Gross Jerome Noetinger Joan La Barbara Klaus Filip Michael Pisaro Mico Nikos Veliotis Otomo Yoshihide Phil Minton Radu Malfatti Rhodri Davies Sachiko M Sean Meehan Seymour Wright Steve McCaffery Taku Unami Tamio Shiraishi Tetsuo Kogawa Toshimaru Nakamura

Greek TV company Onos Productions came to INSTAL 09 to document the festival and report on Nikos Veliotis’ Cello Powder performance.

A woman bends over with a stick, in the background a man is hitting a gong
21 March 2009
The Arches

Ki: Mico, Tamio Shiraishi & Fritz Welch

Fritz Welch Mico Tamio Shiraishi

A trio of Tamio’s screaming and immovable slabs of sound; Mico’s dance/ performance/ piano; Fritz’s absurd, flailing percussion/ voice.

INSTAL 09
A scanned picture of a B-52 and its ordinance laid out in the desert
22 January 2012
GFT

B-52

Hartmut Bitomsky

Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.

Episode 1: A Film is a Statement
Someone hands are bound in maybe 15 different, irregularly knotted ropes
21 November 2019
Tramway

Gravitational Feel: Opening Performance

Fred Moten Wu Tsang

Gravitational Feel is an engine for intensifying the differentiation of our entanglement, which you continually reprogramme in the mutual rub, shift and lap of its sonic, wooden, steel, textile and human material.

Episode 10: A Means Without End
Fred Moten in the middle of speaking, with Fernando Zalamea listening beside
23 November 2019
Tramway

Discussion on Mathopoetics

Fred Moten Fernando Zalamea

A back and forth between Fred and Fernando on the transits and obstructions between mathematics and poetics, and how both help us to think from the other side.

Episode 10: A Means Without End
Taku Unami standing against a wall
22 February 2010
DCA

Investigation – Taku Unami

Taku Unami

With Taku we’ll carry out some simple proposals for doing almost nothing, for re-thinking sound with whatever comes to hand.

Kill Your Timid Notion 10
Music Lover's Field Companion 07 publicity flyer
10 – 13 May 2007
The Sage Gateshead

Music Lover’s Field Companion 07

A three-day celebration surveying all manner of diverse musical activities, which at their core share a basic kinship: one of exploration and the discovery of musical expresssion.

A Special Form of Darkness Poster Graphic
24 – 26 February 2012
Tramway

Episode 2: A Special Form of Darkness

A festival asking how ideas of nihilism, darkness, subjectivity and abjection play out in experimental music, performance art, horror, neuroscience and philosophy?

A cutting from the New York Times, showing a man in a blue jumper
21 January 2012
CCA

Argument

Andrew Tyndall Anthony McCall

Argument is a provocative, multi-layered film essay, a trenchant analysis of the media and remains a critically relevant and critically inflammatory tract.

Episode 1: A Film is a Statement
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