The Echo Project
Brandon LaBelle
The Echo project is an installation as audio guide for a crowd. And at the same time it’s a private conversation: with you, as one of 20 people in a room, a sort of public intimacy.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
The Echo project is an installation as audio guide for a crowd. And at the same time it’s a private conversation: with you, as one of 20 people in a room, a sort of public intimacy.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
Sci-fi. After the club. Underground. Counter-narrative. Narrated movement. Cultural resistance. Wu Tsang and boychild’s collaborative performance series, will continue its evolution at Episode 9 with the addition of TOTAL FREEDOM.
Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.
A multi-speaker, electronic, spacious and spatial performance from Florian Hecker.
A landmark film on black life – a poetic filmic constellation of meditations, fragments and interviews on what it means to be black in America in the 21st century, from one of its great cinematographers.
A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.
Criminal Queers visualises a radical trans/queer struggle against the prison industrial complex, working to abolish the multiple ways our hearts, genders, and desires are confined.
Jean-Luc Guionnet will be giving a talk as part of the music department’s ongoing series of colloquia.
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
How do communities practice being one another’s means, addressing their material problems facing them replicating the state’s violent logic of who is disposable.
What happens when you are engaged in a deep and extended artistic practice that intersects between literature and music, notation and improvisation, sight and sound?