Jean-Philippe Gross
Jean-Philippe Gross
Solo by Jean-Philippe Gross, a French electro-acoustic improviser, working with mixing board, cheap mics, small speakers and an analog synth, built around a honed interest in feedback.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Solo by Jean-Philippe Gross, a French electro-acoustic improviser, working with mixing board, cheap mics, small speakers and an analog synth, built around a honed interest in feedback.
Akio Suzuki and John Butcher performing in a large multi chambered industrial ice house.
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
A discussion about what is at stake in the performance of realness and the practice of passing, and how they are both acts of survival and resistance.
Dave will lead a session created for teenagers and designed to stimulate a supportive environment for artistic exploration through music improvisation.
A series of three short performed situations and statements to be examined or judged from the most interesting young musician in Glasgow (we think).
Smith/Stewart set up allegorical situations over which they often have little to no control, but which instigate explorations of dependence and trust, the body, sex and death.
Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.
A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.
Sometimes delicate, sometimes harsh and jarring, Yagi’s koto solos are as much inspired by Nancarrow or Cage as they are traditional.
Black-clad with an ominous aura created by their distorted guitar epics, burnt-out ballads and raucous mantric jams.
A chat with Rashad about the communist, conceptual methodology that informs his ground-breaking synthetic music—a form of speculative sonic fiction writing to produce hyperreal non-representational auditive experiences.