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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Elizabeth A. Povinelli and Mijke van der Drift sit at black table in a black box theatre. There is audience to the right of the image and behind Mijke & Elizabeth are two screens for live captioning.
15 November 2024
Tramway Live Stream

Analytics of Existence

Elizabeth A. Povinelli Mijke van der Drift

Elizabeth’s writing pulls apart toxic settler colonialism and the worldview used to justify it; working towards an alternative distribution of powers, so that ways of being otherwise can endure.

Episode 11: To End the World As We Know It
Otomo Yoshihide seated between two upright pianos their interiors exposed
22 March 2009
The Arches

Filament: Sachiko M & Otomo Yoshihide

Otomo Yoshihide Sachiko M

Sachiko’s very simple, pure sine tones and structures. Otomo on double pianos. Filament’s music isn’t composed and it isn’t improvised: it’s a hybrid of the two.

INSTAL 09
Two performers silhouetted against a projection of blue light
18 October 2003
DCA

Silophone

[the user]

Live ISDN drone performance resonating between Dundee and an empty Montreal Grain Silo.

Kill Your Timid Notion 03
Chuquimamani-Condori performing. Their face tilts downwards. They are wearing a wide brimmed hat, the background is dark and their face is lit dramatically by the cast of a red light
17 November 2024
Tramway Live Stream

DJ E

Chuquimamani-Condori

Ecstatic, intensely joyous experimental club music: like “the sound of our water ceremonies…40 bands playing their melodies at once to recreate the cacophony of the first aurora and the call of the morning star Venus”.

Episode 11: To End the World As We Know It
A person sits on a bench in a relaxed position in a dimly lit room. They are wearing a lace bra.
Book

Truth and Lies – An Anthology of Writing and Art by Sex Workers

Lib Lobberson Marin Scarlett Payola E ZuZu Gabrielli Chardonnay Bella Violet Quinn Rab Green Chao-Ying Betty Rao Heather Ashleigh Williams (BABEWORLD) Jet Moon Estella Clarke

The Truth and Lies book project emerges as part of a rising tide of sex worker art and organised struggle to end criminalisation and stigmatisation of sex work.

Aileen Campbell on a trampoline singing Vivaldi accompanied by musicians
12 October 2008

As Jane Edwards and Geoffrey Rush

Aileen Campbell

A chorister attempting to sing Vivaldi, with live accompaniment, while trampolining for 20 minutes.

Kill Your Timid Notion 08
Projection of LIGHT MUSIC by Liz Rhodes in DCA Dundee
19 February 2006
DCA

Expanded Cinema: LIGHT MUSIC

Lis Rhodes

Light Music is a dizzying celebration of the pivotal nature of sound in film; a direct and powerful transcription of film as sound.

Kill Your Timid Notion 06
Hidden In Plain Sight Poster Graphic
23 – 26 May 2013
Tramway Stereo

Episode 5: Hidden in Plain Sight

Voguing, drag, clubbing, and the politics of communities making different performances of gender and sexuality visible.

boychild performs prostrate bathed in a blue light a red light in their mouth
26 May 2013
Tramway

#untitled lipsync 3

boychild

The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.

Brian Dillon portrait against a brick wall
14 April 2007
DCA

Brian Dillon Talk

Brian Dillon

Join Brian as he ruminates on the history of how experimental filmmakers and sound artists have drifted into and taken over galleries in order to show their work.

Kill Your Timid Notion 07
Still from Robert Nelson's film Bleu Shut 'Bottoms Up'
15 May 2010
Tramway

Bleu Shut

Bleu Shut reveals, and allows us to enjoy, our gullibility within the pervasive absurdity of modern life.

UNINSTAL
Nate is shown from the waist up, leaning against a fence, wearing a navy t-shirt
24 November 2019
Tramway

Nathaniel Mackey

Nathaniel Mackey

“Mackey composes realist-mythic layering of lyrical prose unlike anything being written today.” — New York Times. “Our greatest living epic poet…Mackey’s poetry and criticism have reinvented modernism for our time.”— LitHub

Episode 10: A Means Without End
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