Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Two bottomless brunch writing workshops—with readings—speculating the relationship between space, infrastructure, technologies and sex.
Journalist and underground music champion Alan Cummings talks to Keiji Haino about his career and his performance the previous evening.
A cast of pioneering and provocative spirits who exist outside the mainstream, between borders and definitions; a series of events that each explore different aspects of music that doesn’t quite fit any given category. INSTAL 08 included the Self-Cancellation project.
Personal Spaces: inversion of a territorial bell, confusing the realms between rehearsal and performance, public and private space.
A drone installation populated by flourescent strip lights working in complicity with analogue radios – “all the lights just do their thing”.
Umeda is a Japanese artist who is as fascinated in setting up interesting situations to observe, as he is in creating performances.
(Cyber)feminist, non-essentialist transgender and queer daily radio shows using the formula of morning radio as an arch way of thinking about the scripted behaviour and controlled empathy of systematic care.
This mini, late-night ball will include categories inspired by the events earlier in the weekend.
Are artists powerless in the face of technology? These often whimsical and amusing films are minimal technological interventions and appropriations but maybe also rigorous takes on the role of popular media and culture in our hyper-technological world.
As opposed to suggesting soundtrack’s to Brakhage’s works [which are almost entirely silent] Text of Light use his works to stimulate improvisation, enveloping them into the structure of the group much like an additional musician.
Dead Labour Process drool-tape farmer, squeaking/creaking Usurper brother and Peeesseye’s yodelling traps-man hold a real OUT splutter party.
A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.
