Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Do almost nothing: re-present (unaltered and arranged by chance) silent family home movies handed down to Flo, (Ken’s wife) and follow them with a “teach yourself Yiddish” cassette tape.
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
A temporary archive and research space tracing the ways in which sound and audition move through everyday life.
Radical transfeminism aims to hold the space for finding relations between the ruins of the everyday. Emerging from the debris, spaces for politics find form as poetics to carry understandings, actions and be/longings.
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
Join Brian as he ruminates on the history of how experimental filmmakers and sound artists have drifted into and taken over galleries in order to show their work.
For this one off performance Vibracathedral Orchestra are joined by Matthew Bower and John Godbert from mighty UK heavy/drone/psych free-noise behemoths Skullfower, Sunroof! and Total.
If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.
Instead of the one-way monologue of normal performance, what would be the result of an actual collective dialogue? Where would it go?
Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.
The first of two workshops that highlight correspondence as a way of working. Somewhere between song, speech, and logistical arrangement, these workshops invite participants to consider care as infrastructure.
A performed installation by one of Germany’s most interesting visual artists, based on edited transcripts of the 1961 trial of Adolf Eichmann in Jerusalem and the writings of Hannah Arendt
