Killer of Sheep
Killer of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Killer of Sheep is an undisputed masterpiece of African-American filmmaking and one of the most poetic, perceptive dramas ever made about family and community.
An audio and video investigation of gender cults, Catholicism, hauntings and nuns’ use of audio devices…
How do communities practice being one another’s means, addressing their material problems facing them replicating the state’s violent logic of who is disposable.
Whether drawing their own fractured, abstract narrative, or re-contextualising, chewing up and spitting out someone else’s, each of the films here take a dramatic arc as their starting point and throw it to the wind.
Dub is strange. A conversation with Edward George and Dhanveer Brar.
An occasion for commotion, and a chorus of motions. Choreography rotating your revolutions and then some.
Jacobs’ pulsing and abstract 3D Nervous Magic Lantern performance grounded by Eric La Casa’s manipulated recordings of everyday locations.
Akio Suzuki and John Butcher performing in a remote sea cave near Durness.
Taking a scalpel to the relationship between performer and audience: cutting something out to see what’s left, a drastic subtraction and shift of emphasis.
Austrian guitarist who specialises in a warm digital deconstruction of guitar noise
In rethinking the body, the law, the state, gender, race, violence, care and empathy, how we might give humanness a different future?
Out holler/ howl of English pukenoise posterboys exploded by incessant insect chatter of Northern fug dweller.