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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Sanjah: Kan Mikami, Masayoshi Urabe & Toshiaki Ishizuka at MLFC 07
12 May 2007
The Sage Gateshead

Sanjah: Kan Mikami, Masayoshi Urabe & Toshiaki Ishizuka

Kan Mikami Masayoshi Urabe Toshiaki Ishizuka

HEAVY Japanese super group, featuring the sundown delta blues of Kan Mikami, Toshi Ishizuka’s heavy, time folding drumming and Masayoshi Urabe on sax, harmonica and chains.

Music Lover’s Field Companion 07
Computer screen revealing some data and a green shape
17 October 2003
DCA

Cyclo

Carsten Nicolai Ryoji Ikeda

Two figureheads of the minimalist electronica pulse, Ikeda and Nicolai have been responsible for some of the most innovative and ground-breaking music of the last decade, redefining experimental electronica.

Kill Your Timid Notion 03
Tens of silken knotted ropes in shades of gold and blue hang vertically
22 November 2019
Tramway

Exhibition: Gravitational Feel

Fred Moten Wu Tsang

How do we sense entanglement? Can the knotting of ropes according to a poem’s rhythm make the social pulse of language matter?

Episode 10: A Means Without End
Image with the word: Fennesz
9 December 2001
The Arches

Fennesz

Fennesz

Austrian guitarist who specialises in a warm digital deconstruction of guitar noise

INSTAL 01
Projection of Epileptic Seizure Comparison (1976) in a corner of DCA Dundee
19 September – 12 October 2008
DCA

Epileptic Seizure Comparison (1976)

Paul Sharits

Paul Sharits one of the great experimental, sometimes called structuralist / materialist, filmmakers of the 20th Century.

Kill Your Timid Notion 08
Projected images of black and white textures and green forms on a screen
11 October 2008
DCA

Charles Curtis & Raha Raissnia

Charles Curtis Raha Raissnia

A beautifully crisp, slowly evolving duo for cello and projected images. Abstract but still figurative; change only noticeable after the fact.

Kill Your Timid Notion 08
Nikos Veliotis in safety goggles chips wood, cello and a projection in the back
21 March 2009
The Arches

Cello Powder

Nikos Veliotis

Nikos played every note that it’s possible to play on the cello, all played back as a one hour drone, while the cello was turned to powder and bottled.

INSTAL 09
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

Publication, Nov 2024

IN OUR LIFETIME – A New Anti-Imperialist Resource

Hussein Mitha

IN OUR LIFETIME, is an anti-imperialist resource, edited by Hussein Mitha, produced by Arika for Episode 11, featuring poetry, essays, questions, prompts, letters and works of anti-colonial imaginary.

Episode 11: To End the World As We Know It
17 November 2024
Tramway Live Stream

aquasomatics

Nat Raha Ailie Ormston

Transfeminist and revolutionary poetry, voice and timbral abstraction: a sounding and spatialising of reparative sonic and somatic practices that can speak back to violent histories of expropriation and ecocide.

Episode 11: To End the World As We Know It
Kiyoharu Kuwayama holding blocks of dry ice to a hot metal plate
14 October 2006
The Arches

Lethe

Kiyoharu Kuwayama

A performance for dry ice and four specially constructed steel tables, each one heated by a single candle until searingly hot.

INSTAL 06
Terre Thaemlitz lies on the ground, wrapped in a plastic sheet, and eerily lit
25 May 2013
Tramway

Soulnessless – Introduction

Terre Thaemlitz

“I am truly without faith. In a media marketplace that demands soulness, I can only offer soulnessless.”

Episode 5: Hidden in Plain Sight
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