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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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We Can't Live Without Our Lives Poster Graphic
15 – 19 April 2015
Tramway

Episode 7: We Can’t Live Without Our Lives

In a moment of social exhaustion, we want to ask how we might care for each other differently. We Can’t Live Without Our Lives is a 5-day exploration of care as a form of struggle and resistance, with communities who embody it.

Drawing of concentric arrows with 3 words in the centre: attacker, helper,victim
19 April 2015
Tramway

Work Care Class 3 – Care & Revolution

Howard Slater

Final workshop exploring work, care and class. Does the ‘care industry’ summon forth its own class? Can this ‘affective class’, in their ability to care for others, militate against the carelessness of self-interest?

Episode 7: We Can’t Live Without Our Lives
Denis Wood talking to an audience seen through the aperture of an orange hole
14 July 2007
The Megastructure

Shadowed Spaces Cumbernauld

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

A series of badly felted lock-ups and garages + multiple locations within the Megastructure – a purpose built town centre in one building, comprising (in the 50’s at least) of housing (never occupied), shops, apartments, a hotel, ice rink, police station and other amenities

Shadowed Spaces
Projection of Epileptic Seizure Comparison (1976) in a corner of DCA Dundee
19 September – 12 October 2008
DCA

Epileptic Seizure Comparison (1976)

Paul Sharits

Paul Sharits one of the great experimental, sometimes called structuralist / materialist, filmmakers of the 20th Century.

Kill Your Timid Notion 08
Two figures boxing in front of an audience
27 February 2010
DCA

Overheard (Suspension of Belief Sketch 4)

Resonance Radio Orchestra

There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?

Kill Your Timid Notion 10
Kjell Björgeengen, Keith Rowe & Philipp Wachsmann with equipment and screens
29 November – 7 December 2008
ICA Spike Island CCA

Kjell Björgeengen, Keith Rowe & Philipp Wachsmann

Keith Rowe Kjell Björgeengen Philipp Wachsmann

An immersive environment where sound is looped through oscillators, radio, guitar pick-ups and video amps to create dense strobing images and colours

Kill Your Timid Notion on Tour
Two shafts of light, one red, one blue come from two 16mm projectors
12 December 2004
DCA

Tabula Smaragdina

Jürgen Reble Thomas Köner

Dual projections of pulsating shards of film, treated in crystallized salts and dyes merge with the whirring of projectors, distilled into particles of sound.

Kill Your Timid Notion 04
A screen showing two people holding a Sotherbys Bad for Art banner
3 May 2012
Whitney Museum of American Art

The Indivisible or Inadmissable Committee

When one calls a strike, who hears the call, who attunes and listens to it? How to listen to the call of a strike? What prevents one from hearing this call or stops one from listening to it?

A survey is a process of listening
People huddled around a speaker on a street in Glasgow
9 May 2010
George Square

In The Shadow of Shadow – Walk

The Strickland Distribution Ultra-red

A public walk from George Square to the Barras market bringing contributions from researchers, activists and artists in a form of live critical praxis

UNINSTAL
21 June 2023

Break/Open Meetup time*

Take a break and/ or hang in an Open Meet Up in IRL and URL

I wanna be with you everywhere 2023
An actor playing a reporter at a trial sits in front of a drawered wall
23 March 2012
Tramway

Criminal Case 40/61: Reverb

Andrea Geyer

A performed installation by one of Germany’s most interesting visual artists, based on edited transcripts of the 1961 trial of Adolf Eichmann in Jerusalem and the writings of Hannah Arendt

Episode 3: Copying without Copying
Kenny Goldsmith holds a microphone wearing a white spotted jumper
16 February 2008
The Arches

Translation

Achim Wollscheid Kenneth Goldsmith

Kenneth Goldsmith reads extracts of his conceptual poetry and Achim Wollscheid manipulates mobile phone signals.

INSTAL 08
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