Overheard (Performance Part 1) and Festival Introduction
Resonance Radio Orchestra
The first performative part in a game of chance and endurance as actor Tam Dean Burn constantly broadcasts for 24hrs.
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The first performative part in a game of chance and endurance as actor Tam Dean Burn constantly broadcasts for 24hrs.
A prison abolitionist punk video-poetry-music mash up about our fucked-up dystopian society, RoboCop, kids toys and criminality.
Austrian guitarist who specialises in a warm digital deconstruction of guitar noise
Individual experience separated by physical boundaries (of space, time or ability) suggested as communities of collective experience by (perhaps voyeuristic) artists.
Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.
Poetry of raw fearless truth and the realest crip insight fully embedded in absolute lyrical lounge.
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
A guitar solo of frugal wringing, of notes in the dark, an attitude of making everything count.
Using violin and cello the duo map out a twilight sonic world that seems to tread the faultlines between improvisation and composition.
A panel exploring the poetics of abolition. “Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change.”
Ubuntu Women Shelter, National Ugly Mugs and the Sex Workers Union warmly invite you to a generative conversation (and Q&A) about the needs and rights of migrant sex workers in Scotland.
Can we find ideas of queer anarchism, failure and low theory in popular culture?