Keiji Haino
Keiji Haino
Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.
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Torrential, wrenching wordless wails, guttural screams and roars, a Haino solo vocal performance.
This performance brings together film, text and speech and temporarily constructs a filmic space to think through questions of resistance, and the choice and consequence of action vs. inaction: what does it mean to choose to not take part?
An event exploring anarchic and communal situations of musical creation with MV, EE and The Cherry Blossoms.
What does it mean to listen with the mind as well as the ears? A solo performance from the great avant-garde pianist.
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
A saxophone. Handheld fans. Shrill squeaks. Splutters, gargling. An incredible diversity of sounds, intensely focused by an inventive musician.
A three-day celebration surveying all manner of diverse musical activities, which at their core share a basic kinship: one of exploration and the discovery of musical expresssion.
Munehiro Narita’s Kyoaku No Intention (Worst Intentions) fired out some of the most compelling no-wave improvised rock of the 80s.
Guitar and voice. Keening, droning and mourning. Be ready to release and bring your dis-ease.
From really simple, open instructions, An Unrhymed Chord creates a kind of half-way point between composition and improvisation.
The 2006 INSTAL festival saw a broad selection of artists that included Blood Stereo and Ludo Mich, Ellen Fullman and Sean Meehan, Keiji Haino and Tony Conrad and a specially created performance by Maryanne Amacher.
A dense, hard, immersive, chaotic spatial performance in sound: a momentary gap in consciousness, free of order or decision.