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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Kan Mikami playing guitar and singing at INSTAL 04
17 October 2004
The Arches

Kan Mikami

Kan Mikami

A voice that can vault from an elegantly whispered insinuation to asphyxiated and murderous barks or squalls in a heartbeat.

INSTAL 04
A black screen with the word, "words" written in large letters
23 February 2010
DCA

So Is This

Michael Snow

Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.

Kill Your Timid Notion 10
People sitting around a table listening and talking
22 October 2016
Tramway

Captive Genders – Criminalisation

Che Gossett English Collective of Prostitutes Eric A Stanley Scot-Pep/ Umbrella Lane Tourmaline

What is happening when systems of repression try to grasp communities’ ways of being, living or surviving, applying laws of sexuality, gender or race to cast them as criminal?

Episode 8: Refuse Powers’ Grasp
"Episode 11: To End the Worlds As We Know It" title superimposed in white & red text on top of a blue back ground with a dark navy circle that looks like ripped paper.
13 – 17 November 2024
Tramway Glasgow School of Art

Episode 11: To End the World As We Know It

5 days of film, music, discussion and study of our collective incompleteness—arrayed against the colonial ordering of how we come to know the world—practicing how we might exist otherwise, right here and now. Can we start to know and practice the world to come?

Publication, Nov 2024

IN OUR LIFETIME – A New Anti-Imperialist Resource

Hussein Mitha

IN OUR LIFETIME, is an anti-imperialist resource, edited by Hussein Mitha, produced by Arika for Episode 11, featuring poetry, essays, questions, prompts, letters and works of anti-colonial imaginary.

Episode 11: To End the World As We Know It
A scanned picture of a B-52 and its ordinance laid out in the desert
22 January 2012
GFT

B-52

Hartmut Bitomsky

Hartmut is going to talk a little about his work at large and the politics of how his films are constructed. And we’ll screen one of his best films: B-52.

Episode 1: A Film is a Statement
A man crouching before an audience operating a projector
13 April 2007
DCA

Keith Evans & Coelacanth

Keith Evans Loren Chasse

A system in which film is projected onto copper strips, captured again and then re-projected as video, somehow transforming the original imagery into molasses-slow, molten and incredibly tactile flickers of colour and light.

Kill Your Timid Notion 07
A projection of a man holding his hands up to his face as a red line borders
18 February 2006
DCA

Christian Marclay’s Screen Play

John Butcher Paul Lovens Steve Beresford Christian Marclay

A silent collage of found film footage partially layered with computer graphics to provide a framework in which live music can develop.

Kill Your Timid Notion 06
A street in Egypt, during the day time, filled with people going about
22 January 2012
CCA

Too Soon, Too Late

Opening with one of the most memorable shots ever filmed, and screened a year after the initial successes of the 2011 Egyptian revolution, Too Soon, Too Late is a search for the traces left on the landscape of past revolutions in France and Egypt.

Episode 1: A Film is a Statement
9 – 13 March 2022
Online

Mutual Aid

4 days of workshops, discussions and artists presentations exploring the radical act of caring for each other while working to change the world.

Image with the words: Koji Asano
9 December 2001
The Arches

Koji Asano

Koji Asano

Koji Asano, Japanese composer and sound-artist performing slow groaning burbling tones, moaning echoes and drones.

INSTAL 01
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