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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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A film still. In the foreground is the hand of a person lying on the ground in a wooded area that is covered in leaves. The hand is painted white, palms down in a slightly clawed resting on the leaves.
16 November 2024
Tramway Live Stream

The Ancestral Present

Karrabing Film Collective Elwood Jimmy

Watching films and chatting with Karrabing members about those films: as they attend to the memory and practice of the ancestral present and the ancestral catastrophe that Karrabing and their more-than-human world find themselves facing.

Episode 11: To End the World As We Know It
Tens of silken knotted ropes in shades of gold and blue hang vertically
22 November 2019
Tramway

Exhibition: Gravitational Feel

Fred Moten Wu Tsang

How do we sense entanglement? Can the knotting of ropes according to a poem’s rhythm make the social pulse of language matter?

Episode 10: A Means Without End
A lot of nails and screws rusting on the ground
13 July 2007
Under the M74 Ski Jump / Extension Ramp

Shadowed Spaces Glasgow

Sean Meehan Tamio Shiraishi Ikuro Takahashi

A recording session for BBC Radio Scotland under the M74 ‘Ski Jump’ extension ramp, a secion of motorway that doesn’t go anywhere, one of several such structures that populate the motorway system in the centre of Glasgow.

Shadowed Spaces
Paul Sharits' Shutter Interface projected on a wall: three bands of colour
13 April 2007
DCA

Shutter Interface

Paul Sharits

Paul Sharits’ Shutter Interface is a multi screen installation born of an intent to reveal the material substance of cinema in its purest form: spatially.

Kill Your Timid Notion 07
Projection of a purple toned image onto a wall
19 February 2006
DCA

Jennifer Reeves & Anthony Burr

Anthony Burr Jennifer Reeves

An immersive live performance for multiple 16mm film and bass clarinet, taking in the whole gallery, submerging the audience.

Kill Your Timid Notion 06
Rashad Becker on stage, performing at a desk with sound and audio equipment. The background is dark and a pinkish red light highlights Rashad
17 November 2024
Tramway Live Stream

Based on a True Story – 1986

Rashad Becker

The most sophisticated synthetic music around: timbrally otherwise body music as sonified fictions and auditive sociograms.

Episode 11: To End the World As We Know It
Four musicians play some sitting on the floor, a recorder player stands
22 March 2009
The Arches

Free-form hook up

Ben Knight Hannah Ellul Neil Davidson

Two-parts Helhesten spit strangled shanties and cracked reeds from under a net of the Glasgow Improv Orchestra’s six-strings and one moustache.

INSTAL 09
Philip Jeck backstage working with old turntables
18 October 2003
DCA

Philip Jeck

Philip Jeck

Equal parts spectacle, installation and performance, his set for us is a specially developed work, ‘turning’, which features an orchestra of multiple turntables, 4 projections and a collection of old, and, quite probably, misfiring analogue kit.

Kill Your Timid Notion 03
Two figures boxing in front of an audience
27 February 2010
DCA

Overheard (Suspension of Belief Sketch 4)

Resonance Radio Orchestra

There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?

Kill Your Timid Notion 10
A shot of a boldly decorated bedroom, red walls, fairy lights, myriad flowers
28 February 2010
DCA

Film Programme 6: Production

Ken Jacobs Various Artists

The production of moving image (film) by the mechanically, unfalteringly repetitive manipulation of mass-produced materials (film), in order to explore three different allegorical representations (films) of repetitive human actions and labour under capital.

Kill Your Timid Notion 10
A sequence of stills of a lady getting out of a car
22 January 2012
CCA

Data as Documentary: Graham Harwood

Graham Harwood

Databases carry the same seeds of creativity that early documentary makers saw in film. Both can empower people by helping them to master information, both can be claimed to represent some kind of reality or truth.

Episode 1: A Film is a Statement
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