Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Dual projections of pulsating shards of film, treated in crystallized salts and dyes merge with the whirring of projectors, distilled into particles of sound.
AMM have undoubtedly been among the most important contributors to the UK free improv scene for nearly 40 years and we are extremely proud to be able to be working with such distinguished musicians who still rarely play live in the UK.
A Performance exploring the nature of acousmatic listening; sound removed from visual context and understood for it’s own properties.
Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.
In a moment of social exhaustion, we want to ask how we might care for each other differently. We Can’t Live Without Our Lives is a 5-day exploration of care as a form of struggle and resistance, with communities who embody it.
A somehow hyper-modern, ancient and folkloric lip-synced, made-up, fashioned performance.
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
French improviser, composer, writer & musical thinker of dry humour and elegant clarity. Sly conjurer of music from the unconsidered processes of music making.
We’ll be looking at decolonising ‘global mental health’. We’ll look at the concepts of decoloniality, of things being ‘culture bound’, and at hermeneutical injustice* as ways to examine dominator knowledge systems, and the institution of psych/iatry.
A meditation on how all of us perform — sometimes reinforcing, sometimes subverting — the shifting categories of gender, sexuality and race.
Noise music for the eyes. A 6 screen 16mm projection performance of intense audio and visual stimulus.
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
