Ueinzz Context
Ueinzz
An open conversation around the history and practices of the Ueinzz Theatre Company – a radical Brazilian schizoscenic theatre company of carers, so-called psychotic patients and philosophers.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
An open conversation around the history and practices of the Ueinzz Theatre Company – a radical Brazilian schizoscenic theatre company of carers, so-called psychotic patients and philosophers.
Rare UK performance by legendary Japanese post punk group during their 4 drummers + synth / vocals phase.
Austrian guitarist who specialises in a warm digital deconstruction of guitar noise
Rhodri Davies plays two deconstructed harps. Lee Patterson examines the sonic properties of burning nuts.
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
Taku’s actions strip back musical performance to one of its original proposals: what is an action and how does it create a situation for spending time together, for paying attention?
How do people both inside and outside of prison work together to dismantle the criminal justice system and build a society based on collective care?
Goofily deformed, deeply thought vocal jams: like the sound of your own breath rushing through your head.
Audio signals pass through light bulbs, causing the filaments of the bulbs to sing and crackle in a chorus of electronic static.
Umeda is a Japanese artist who is as fascinated in setting up interesting situations to observe, as he is in creating performances.
Can a musician create a sonic photograph; something with a depth of field, where you can hear sounds and their interconnections, much as you see objects and their relationships in a photo? Could a filmmaker use musical concepts to represent landscape?
Taking a scalpel to the relationship between performer and audience: cutting something out to see what’s left, a drastic subtraction and shift of emphasis.