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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (712)

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William Basinski in shirt and tie, blue screen behind, gold table to the fore
16 October 2004
The Arches

William Basinski

William Basinski

Improvising using nothing so much as the passage of time as his instrument, Basinski creates works of great melancholic depth and fragile beauty.

INSTAL 04
Seated people chat near microphones
26 February 2010

SpeedDataRadio

Resonance Radio Orchestra

A changing pool of people (40 or so at a time – artists, audiences, etc) talk for 90 minutes in a simultaneous series of open-ended round-table discussions, structured like speed dating, and mixed live as both a concert and for radio broadcast.

Kill Your Timid Notion 10
a banner with painted letters saying sex work is work
20 April 2017
Terrence Higgins Trust

Community Discussion: LGBTQI People & Sex Worker’s Rights

Join Umbrella Lane and special guest migrant trans sex workers in a community discussion about the points of intersection in LGBT people’s rights and sex worker’s rights.

Sex Workers’ Festival of Resistance
Brown Background with Bold Block text reads Instal 06 Brave New Music
13 – 15 October 2006
The Arches

INSTAL 06

The 2006 INSTAL festival saw a broad selection of artists that included Blood Stereo and Ludo Mich, Ellen Fullman and Sean Meehan, Keiji Haino and Tony Conrad and a specially created performance by Maryanne Amacher.

a close up of a music box and stylus surrounded by acoustic padding
10 December 2004

The Music Box (2004)

Petteri Nisunen Tommi Grönlund

Finnish duo Grönlund Nisunen are known for their extraordinary work fusing incredible sounds with stunning objects in large scale sculptural installations.

Kill Your Timid Notion 04
A man in front of a multi layered projection, a sign saying 'the end'
29 November 2008
BFI Southbank BFI IMAX ICA Spike Island Arnolfini CCA

Andrew Lampert

Andrew Lampert

Quasi-theatrical multiple-projector pieces play with the relationship between performers, art and audiences.

Kill Your Timid Notion on Tour
Kan Mikami & JO JO Hiroshige playing guitars and singing at MLFC 07
11 May 2007
The Sage Gateshead

Kan Mikami & JO JO Hiroshige

JO JO Hiroshige Kan Mikami

Folk poet, actor and bon viveur Kan Mikami in duo with Jojo Hiroshige, a founding member of Japanese Noise band Hijokaidan.

Music Lover’s Field Companion 07
A spiral form made of shoes and boots is laid out on a purple and red lit floor
13 November 2010
Tramway

Overheard (Installation)

Resonance Radio Orchestra

The worlds leading radio art station brings you: a performance, a radio show, an installation, an endurance test.

INSTAL 10
Arika_Instal08_BryonyMcIntyre_Translation - A Campbell - D Nyoukis - JunkoIMG_3857
16 February 2008
The Arches

Translation

Aileen Campbell Dylan Nyoukis Junko

Trio vocal performance of a score by Achim Wollscheid with Aileen Campbell, Junko and Dylan Nyoukis.

INSTAL 08
Junko singing into a microphone against a dark background
25 February 2012
Tramway

Junko

Junko

Harrowing but musical confrontations with the very real, physical and aural trauma of a woman screaming.

Episode 2: A Special Form of Darkness
Amelia is framed to the right of the picture smiling. They are wearing a sky blue tie dye shirt and brown cap. They are pictured in Abiquiu, New Mexico, by the Chama River, surrounded by cholla cacti blooming bright pink flowers with a mountainous landscape behind.
21 June 2023

Meditations in a Chronic Emergency

Amelia Bande

With lo-fi dreams and high-def humor, Bande brings MC vibes to the day. Interluding music with spoken performance, the live extimacy of Bande’s presence reaches out via emo-techno-bridges.

I wanna be with you everywhere 2023
Freedom Is a Constant Struggle Poster Graphic
17 – 21 April 2013
Tramway

Episode 4: Freedom is a Constant Struggle

Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?

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