Overheard (Performance Part 1) and Festival Introduction
Resonance Radio Orchestra
The first performative part in a game of chance and endurance as actor Tam Dean Burn constantly broadcasts for 24hrs.
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The first performative part in a game of chance and endurance as actor Tam Dean Burn constantly broadcasts for 24hrs.
A slowed down single tracking shot along a corridor as workers at the Bath Iron Works, (Maine, USA) take their lunch break.
Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.
Dub is strange. A conversation with Edward George and Dhanveer Brar.
Could they be one of the most ferocious live noise acts around, or a necessary and ludicrous parody of ferocious noise acts? Could they be both?
Austrian guitarist who specialises in a warm digital deconstruction of guitar noise
Freeform Super 8mm documentation of Friday at Instal 06 by filmmaker Matt Hulse.
Rhodri Davies plays two deconstructed harps. Lee Patterson examines the sonic properties of burning nuts.
A public gathering that brings together local artists, musicians, activists, and community organisers.
Julius Eastman’s Evil Nigger for 4 pianos performed by Joe Kubera, Kate Thompson, David Murray, Alan Fearon and Simon Passmore.
Each organ is unique. The project is to find out what makes it unique.
We asked Christoph to come and give a sort of informal talk, raising some of his ideas about sound and image, and playing/ showing a few examples.