
Self Cancellation – Seed Burn / adh
Lee Patterson Rhodri Davies
Rhodri Davies plays two deconstructed harps. Lee Patterson examines the sonic properties of burning nuts.
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Rhodri Davies plays two deconstructed harps. Lee Patterson examines the sonic properties of burning nuts.
One of the most compelling Indigenous voices of her generation discusses practices of Indigenous Resurgence drawn from Nishnaabeg poetic knowledge.
Jarrod Fowler and Christof Migone kick things off with performances involving edible plants, a saw, dandruff, and Christof responding to the prompt: “as far as you can for as long as you can.”
A drone installation populated by flourescent strip lights working in complicity with analogue radios – “all the lights just do their thing”.
Solo performance by Diamanda Galás one of the great artists of the last forty years. Hers is an emotional expressionism of demonic shrieks, operatic falsettos, glottal clicks and diabolical growls.
Deliberately blurred drones, absent of definite structure or rhythm, framed in silence and devoid of any distraction from the pure matter of sound.
How do people both inside and outside of prison work together to dismantle the criminal justice system and build a society based on collective care?
An original and beautifully simple performed installation forging a direct link between sound and image.
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
Ray and Thomas talking about how cognitive neuroscience is unlocking the physical basis of personal experience.
Chip will read some of his great literary pornography, which pushes sexuality to the point of extremity and exhaustion.