Concert 1: Organ Solo
Jean-Luc Guionnet
Each organ is unique. The project is to find out what makes it unique.
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Each organ is unique. The project is to find out what makes it unique.
Artist Derek Lodge running a specially designed social space, somewhere for conversation, story-telling and interaction.
An improvised film about our worlds at the brink, on the edge, in front of a crisis. To stand on the side of life, by seeing the resistance to genocide in Palestine as a turning point to overcome.
A performed self-cancelling discussion, with artists from the festival, invited speakers and local artists talking at once, over each other, or straining to be heard over the din.
The queer archiving of traumatic cultural memory from one of the leading voices working with queer archives.
A 3-day exploration – through performance, screenings and discussion – of the art and politics of wayward communities who refuse to be bound by the fictions of race and sex.
Life and death dramas unfold in the snowy American North, using three-screen documentary footage and a soundtrack by KYTN favourite, vocalist Daniel Menche.
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
A sound diffusion piece by Glasgow University’s Musica Electronica, and a further selection of electroacoustic performances.
An invitation into languages field of touch; to speak in feeling together.
A specially commissioned performance for organ. “The course of the stars were to be put to sound.”
The program of composed music including Feldman’s Instruments III, Ligeti’s piece for 100 Metronomes Poeme Sympathetique, and Rebonds B by Iannis Xenakis.