
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.


Lonely and Hungry
Jackie Wang
Heat-mapped bodies, found porn films, Korean psyche-folk, creepy police intrusion and self-defence.

Shadowed Spaces Aberdeen
Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood
Disused railway turning circle at east end of Union Terrace Gardens, a historically public space at the centre of a regeneration land-grab for the private gain of a local petro-chemical magnate.

Film Programme 4: Space
Guy Sherwin Thomas Köner Various Artists Takehisa Kosugi
A programme looking at landscape, filmic or architectural spaces and at how the fixed stare of a camera frame only captures so much reality; here we focus on how filmmakers structure our relationship with that reality and at how they relate it to or interpret it through sound.

Light Trap
Greg Pope Norbert Möslang
Out of a dark haze, shafts of lights are picked out from the surface of film. Out of the black silence, noise, audible scratches bloom into a bright drone of broken and cracked objects.

Prisoner Solidarity in Practice
Prisoner Solidarity Network Glasgow Prisoner Solidarity
How do people both inside and outside of prison work together to dismantle the criminal justice system and build a society based on collective care?

Stones of Stenness (Ring of Brodgar)
Akio Suzuki John Butcher
Akio Suzuki and John Butcher performing by the Stones of Stenness, instead of the Ring of Brodgar, because of bad weather.

MICRO 1
Takehisa Kosugi
MICRO 1 – Wrap a live microphone with a very large sheet of paper. Make a light bundle. Keep the microphone live for another 5 minutes. T. Kosugi – (1961)
Infest – Ben Reynolds
Ben Reynolds
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.

Standard Gauge & ()
Morgan Fisher
A double bill of Morgan Fisher films that ask what can be achieved by a simple structural method of commenting on scraps of 35mm film, re-shot on 16mm film and what happens to meaning (if anything) when ‘insert shots’ are relieved of their original duty of providing crucial plot development for a variety of other movies?

Catch-Wave ’05
Takehisa Kosugi
A new interpretation of Kosugi’s Catch-Wave, producing a cloud of fluctuating, hypnotic drones, in front of a backdrop of projected waves.

Personal Space
Kylie Minoise
Thirty lucky Instal punters experience Kylie’s pre-match aggro workout one-on-one in the darkness of an Arches dressing room.