Overheard (Suspension of Belief Sketch 4)
Resonance Radio Orchestra
There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?
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There are core ways in which our listening to the radio differs from other kinds of listening. What happens when we pay attention to how we pay attention?
60 cycle hums, jagged static cracklings, and clipped electron pinpricks, mutating them into sublime, post-techno grooves
A public walk from George Square to the Barras market bringing contributions from researchers, activists and artists in a form of live critical praxis
A somehow hyper-modern, ancient and folkloric lip-synced, made-up, fashioned performance.
“Hidden in the hands an alluvial transcription of reach and embrace. The final flickers of the body’s expression, caress and touch.” – boychild
Jarrod Fowler creates a social space where layered one-to-one live encounters with the audience become sonic material.
A live installation of the ‘Film Ist’: projected on 4 huge screens and an improvised soundtrack from 4 figureheads of the Austrian experimental music scene.
Michael Colligan pressing white hot metal into dry ice, causing the metal to sing and scream.
This set continues on from the Bud Neill inspired clatter using the contents of the Usurper twin’s pockets.
Jarringly beautiful and often maniacal expression of hallucinatory and very personal visions.
Can we use sound, repetition and difference to personally and collectively engage with space, time and labour?
A programme looking at landscape, filmic or architectural spaces and at how the fixed stare of a camera frame only captures so much reality; here we focus on how filmmakers structure our relationship with that reality and at how they relate it to or interpret it through sound.