Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Tiny fragments of sound recombined and woven into spare and precise, violent yet beautiful pieces
Includes: street portraits of kids in 1930’s Dakota, a mysterious foggy pilgrimage, a swarm of time-lapsed consumers, a stereoscopic analysis of mill life, up close and personal in a Lighting Bolt mosh pit.
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.
An LSD trip gone right via dense explorations of post-Fahey steel and low level drone.
Mashed up queer fantasy of worker’s revolts, biblical demons and present-day hells, and dubbed out cyborg-electro.
A silent performance of (musical) reverberation.
A dense materialist experience at the limits of contemporary computer music, drawing on Korean Shamanism and Communism; striving to create a strange new vibration to the world that seems to contain the seed of everything.
If life is assaulted by power, where do we find spaces for living? A conversation with Peter Pál Pelbart.
A queer black operatic requiem for piano and voice that asks us to stay in the hold of the slave ship, that tries to understand the connection from the slave ship to the prison.
A solo improvisation using just the situation of the concert: a space, a PA, Mattin’s own thoughts, you, the audience.
