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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Colorful leather bound books line a wooden shelf, with writing on their spine in Arabic, one booklet entitled “3 Scores and The People’s Mic Khutba” in Urdu, is slipping into the company of the books or out into the hands of a seeker.
14 November 2024
Tramway Live Stream

Bring a Witness

Sadia Shirazi Mezna Qato

Sadia Shirazi & Mezna Qato will discuss a series of scores that explore the texture and landscape of exile, resistance, and Muslim sociality. These instructional scores trouble the idea that art and activism are untouched by faith and faith is untouched by art and activism.

Episode 11: To End the World As We Know It
Untitled-2
17 November 2017
Kinning Park Complex

Storyboard P at Kinning Park Complex

Storyboard P

During Episode 9 we made this clip with Storyboard P at Kinning Park Complex. Video by Ash Reid.

Episode 9: Other Worlds Already Exist
Heads of musicians silhouetted against a film projected on a wall
11 December 2004
DCA

Tower Recordings

Tower Recordings

The Tower performance at KYTN throws into that mix the 70’s fluxus light shows and films of Jeff Perkins and other filmic interventions tuned to their unique frequency.

Kill Your Timid Notion 04
six red umbrellas on a white background
4 March 2018
MoMA PS1

Sex Workers’ Festival of Resistance NYC

For this day-long festival, sex workers and their allies from New York, the tri-state area, and Europe will gather at MoMA PS1 to debate, perform, dance, strategize & share knowledge.

A 16mm film in has detailed instructions printed on its lid
22 February 2010
DCA

Urban Peasants

Ken Jacobs

Do almost nothing: re-present (unaltered and arranged by chance) silent family home movies handed down to Flo, (Ken’s wife) and follow them with a “teach yourself Yiddish” cassette tape.

Kill Your Timid Notion 10
Pauline Oliveros holding an accordion while reading information from a laptop
16 October 2005
The Arches

Pauline Oliveros & David Dove

David Dove Pauline Oliveros

Since the 1960’s Oliverios has had a profound influence on generations of musicians through her work with myth and ritual, improvisation and meditation.

INSTAL 05
Large white and red forms projected near a man operating another projector
29 November 2008
BFI Southbank BFI IMAX ICA Spike Island Arnolfini CCA

La Cellule d’Intervention Metamkine

Metamkine

Multiple images, glimpses of old films, abstract images in the midst of an electro-acoustic sound field of tape loops & analogue synthesizers

Kill Your Timid Notion on Tour
A man sits at a desk with a large timer clock on it and speaks to camera
28 February 2010
DCA

Morgan Fisher – Screening and Chat

Morgan Fisher

Morgan Fisher is a filmmaker of great wit and charm who uses the tools of experimental film to dissect the basic presuppositions of commercial cinema.

Kill Your Timid Notion 10
Laps Performs in Blue Light
18 November 2017
Tramway

Every Book is Dead

Hal Duncan LAPS

Mashed up queer fantasy of worker’s revolts, biblical demons and present-day hells, and dubbed out cyborg-electro.

Episode 9: Other Worlds Already Exist
Dawn Kasper in a yellow jacket and bare legs moves equipment
25 February 2012
Tramway

Become What You Are

Dawn Kasper

Slapstick comedy, monologue, and a kind of live sculpture transformed through video, props, musical instruments and make-up.

Episode 2: A Special Form of Darkness
A room full of plinths with candles on top
13 April 2007
DCA

Joe Colley

Joe Colley

Joe Colley specialises in hotwired sound constructions full of ominous electronic disturbances and caustic, noxious drones. For KYTN, Joe created a situation of controlled chaos with 50 light sensitive oscillators placed in a field of candles.

Kill Your Timid Notion 07
A film frames has the words "Scene Missing" displayed
25 February 2010
DCA

Standard Gauge & ()

Morgan Fisher

A double bill of Morgan Fisher films that ask what can be achieved by a simple structural method of commenting on scraps of 35mm film, re-shot on 16mm film and what happens to meaning (if anything) when ‘insert shots’ are relieved of their original duty of providing crucial plot development for a variety of other movies?

Kill Your Timid Notion 10
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