Juliana Huxtable
Ahya Simone Joe Heffernan Juliana Huxtable
Juliana’s performances chart the dissonant space and discrepancy between the presumed fixed norms of social life and the fluid lived experience those norms don’t allow for.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Juliana’s performances chart the dissonant space and discrepancy between the presumed fixed norms of social life and the fluid lived experience those norms don’t allow for.
Tormented and drawn-out high-pitched yelps and drones, all interleaved with periods of torpid silence.
Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting
Folk poet, actor and bon viveur Kan Mikami in duo with Jojo Hiroshige, a founding member of Japanese Noise band Hijokaidan.
A rare live performance which, although not a full installation, made use of the unique acoustic and spatial properties of the Arches to rattle the audience and help it locate its third ear.
Are artists powerless in the face of technology? These often whimsical and amusing films are minimal technological interventions and appropriations but maybe also rigorous takes on the role of popular media and culture in our hyper-technological world.
Paper Piece: Secrets is a performance for and with the whole audience, using paper, text, secrets, being in the crowd
A stroboscopic and intense sensory overload of flashing abstract forms, cut to ribbons by modified projectors.
Somewhere between performance, stripped down theatre and an intense kind of public learning or maybe even a public hearing.
Underground movement legend boychild hosts this workshop—on improvisation, cosmetics, movement and lip-sync.
One of the most arresting and unique improvisers in Japan, creating an original and powerful body of free music.
Do art forms like black radical poetry, free jazz and improvisation create a space for the performance of freedom? Did they ever? And can they still do so now?