Kyoaku No Intention
Kyoaku No Intention
Munehiro Narita’s Kyoaku No Intention (Worst Intentions) fired out some of the most compelling no-wave improvised rock of the 80s.
Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Munehiro Narita’s Kyoaku No Intention (Worst Intentions) fired out some of the most compelling no-wave improvised rock of the 80s.
US percussionist, poet, sound artist and instrument maker performing on self-made instruments constructed from industrial materials such as stainless steel, titanium, PVC plastics and various kinds of pipe.
Investigate film as language, via the language of film reduced to the basic units of film and language. A film as text in which each frame is a single word.
Kenneth Goldsmith reads extracts of his conceptual poetry and Achim Wollscheid manipulates mobile phone signals.
This mini, late-night ball will include categories inspired by the events earlier in the weekend.
An original and beautifully simple performed installation forging a direct link between sound and image.
Bleu Shut reveals, and allows us to enjoy, our gullibility within the pervasive absurdity of modern life.
2 days of online discussions and artists presentations exploring the cosmological, decolonial, sensorial practises of Black and Indigenous grass roots art, dance and music collectives in Brazil.
Dois dias de discussões e apresentações online de artistes explorando as práticas cosmológicas, decoloniais e sensoriais de coletivoas de arte, dança e música de base negra e indígena no Brasil.
What would a world and an ethics look like free from the destructive consequences of the Western mind?
How can we imagine bodies not as an end in themselves, but as a medium through which we can become one another’s means?
A film performance about Guy then, and Guy now, as a metaphor for the passing of time, which of course all film is inherently about.
Three intense solo performances for drums (both played and screamed through), cymbal, voice, credit card, bird whistle, and guitar amplifier/leads.