Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.
Lo-fidelity sheets of parinirvanic mangled tone get driven into oblivion by two longstanding gurus of the Northern England primitivist noise.
A chat with Rashad about the communist, conceptual methodology that informs his ground-breaking synthetic music—a form of speculative sonic fiction writing to produce hyperreal non-representational auditive experiences.
The role of feelings in public life, (political) depression and creative survival.
Each organ is unique. The project is to find out what makes it unique.
A dance party love letter to our community, expressing the joy of relation in the abstract and through actual physical proximity.
What happens when you are engaged in a deep and extended artistic practice that intersects between literature and music, notation and improvisation, sight and sound?
Exploring the interplay between punk sinewave aggression, high-speed video sequences and stroboscopic lighting
Location: Around and about the old public library in Easterhouse; disinvested in and left to rot by the council but which was shamelessly, hastily and superficially cleaned by them in expectation of our event.
The mutability of the body and the mobility of identity: queered pop culture, drag, lip-sync and performance.
When we look, how do we objectify the body; how can we reflect on our (self) image as a construction?
Equal parts spectacle, installation and performance, his set for us is a specially developed work, ‘turning’, which features an orchestra of multiple turntables, 4 projections and a collection of old, and, quite probably, misfiring analogue kit.
A 101 panel on sex work in Scotland, hosted by Scotland for Decrim and National Ugly Mugs
