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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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All Archive (720)

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A cactus and coffee cup and a sheet of paper sit on a table
28 February 2010
DCA

Poetic Justice

Hollis Frampton

A cinema of the mind, a film to take place in the viewers’ imagination(s).

Kill Your Timid Notion 10
Arika_Episode5_Photo_AlexWoodward-31
25 May 2013
Tramway

We have something to say about… Pt1

Ann Cvetkovich Eboni Marshall Turman Frank Roberts Michael Roberson Robert Sember Terre Thaemlitz Vogue’ology

A historical narrative of the black and Latino/a transgender, bisexual, lesbian, and gay House and Ballroom Scene in relation to race, gender, sexuality and class oppressions.

Episode 5: Hidden in Plain Sight
Tetusi Akiyama sitting with a guitar surrounded by audience
15 October 2005
The Arches

Tetuzi Akiyama

Tetuzi Akiyama

An contradictory guitarist, he’s equally at home in slow, halting acoustic improvisation or piercing minimal examinations of electric guitar.

INSTAL 05
27 March 2022
CCA Annex (Online)

Part Two | Parte II

Turmalina Chama Denise Ferreira da Silva Camilla Rocha Campos

A Breath to Follow | Um sopro a se seguir
The sun low in the sky above Easterhouse, an audience at a performance
10 July 2007
The old public library in Easterhouse

Shadowed Spaces Easterhouse

Ikuro Takahashi Sean Meehan Tamio Shiraishi Denis Wood

Location: Around and about the old public library in Easterhouse; disinvested in and left to rot by the council but which was shamelessly, hastily and superficially cleaned by them in expectation of our event.

Shadowed Spaces
Kenny Goldsmith holds a microphone wearing a white spotted jumper
16 February 2008
The Arches

Translation

Achim Wollscheid Kenneth Goldsmith

Kenneth Goldsmith reads extracts of his conceptual poetry and Achim Wollscheid manipulates mobile phone signals.

INSTAL 08
2. Poster print image with the caption “capitalism also depends on domestic labour” and an illustration of a factory production line, but instead of factory work, the activity on the production line depicts women undertaking domestic labour, caring for the factory worker at home, in-between leaving and entering the factory.
13 March 2022
Online

Frequency of Touch: the Making of Motherhood

Helen Charman Margaret Salmon

This session focuses in on the defiant mutual aid practices of early and DIY feminist movements in the UK, that attempted to shift and radicalise care and kinship away from the domain of the nuclear family.

Mutual Aid
People playing instruments, some of them on the floor
15 October 2005
The Arches

Directing Hand

Directing Hand

A life force of ecstatic clarity capable of loquacious bursts of affirmation.

INSTAL 05
23 November 2019
Tramway

Borders between Mathematics, Gestures and Dance

boychild Fernando Zalamea

How do we gesture to the invisible, the trans or the obscure? A performative conversation between boychild and Fernando, a sharing of gestures, and a bodily back and forth between mathematician and dance artist.

Episode 10: A Means Without End
Portrait of Leanne Betasamosake Simpson & Robyn Maynard
16 November 2024
Tramway Live Stream

Rehearsals for Living

Leanne Betasamosake Simpson Robyn Maynard Harry Josephine Giles

Reading their letters to each other, and chatting about prefigurative politics as the practice of relentlessly building worlds through unspeakable violence and loss; of building worlds and living in them anyway.

Episode 11: To End the World As We Know It
A black pen line drawing of all the members of the Carni Collective
26 March 2022
CCA Annex (Online)

Part One | Parte I

CARNI – Coletivo de Arte Negra e Indígena Periferia Segue Sangrando Denise Ferreira da Silva Ana Lira

A Breath to Follow | Um sopro a se seguir
Pools of light show music stands holding large books
24 February 2012
Tramway

De Musicorum Infelicitate

Esther Ferrer Walter Marchetti

‘Ten Pieces in the Form of Painful Variations’ for piano, an impossible score that looks like a grapeshot musical stave, a text of barbed loathing and doubt – an anti-composition.

Episode 2: A Special Form of Darkness
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