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Arika have been creating events since 2001. The Archive is space to share the documentation of our work, over 600 events from the past 20 years. Browse the archive by event, artists and collections, explore using theme pairs, or use the index for a comprehensive overview.

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Amiri Baraka reads poetry at a mic and Henry Grimes plays a double bass bass
21 April 2013
Tramway

WordMusic

Amiri Baraka Henry Grimes

A dialogical meeting of Baraka’s radical poetry and Grimes’ free jazz syncopation.

Episode 4: Freedom is a Constant Struggle
Colorful leather bound books line a wooden shelf, with writing on their spine in Arabic, one booklet entitled “3 Scores and The People’s Mic Khutba” in Urdu, is slipping into the company of the books or out into the hands of a seeker.
14 November 2024
Tramway Live Stream

Bring a Witness

Sadia Shirazi Mezna Qato

Sadia Shirazi & Mezna Qato will discuss a series of scores that explore the texture and landscape of exile, resistance, and Muslim sociality. These instructional scores trouble the idea that art and activism are untouched by faith and faith is untouched by art and activism.

Episode 11: To End the World As We Know It
Lots of tiny paper and wire sails moving in sympathy with air currents
10 October 2008
DCA

It’s in the Air

Felix Hess is a unique crosser of the boundaries between science and art. He wrote his doctorial thesis on the aerodynamics of the boomerang

Kill Your Timid Notion 08
the_flicker
18 February 2006
DCA

Tony Conrad: The Flicker

Tony Conrad

One of the most startling cinematic debuts on record, The Flicker is more a hallucination than a film, an out of body experience and riotous celebration of visual harmonics frequencies. An experiment in perception, come with your mind and eyes open.

Kill Your Timid Notion 06
A dome of a white observatory in front of a dark blue sky
29 November 2008
BFI Southbank CCA

Location Location Location

Various Artists Guy Sherwin

Experience a sense of being in the world, in a specific space and time. Including Jeanne Liotta’s recordings of the ionosphere and Walter Ruttmann’s radical 35mm precursor to musique concrète.

Kill Your Timid Notion on Tour
Merzbow: Masami Akita looking at a computer screen
23 November 2003
The Arches

Merzbow

Merzbow takes the junk of sound and transforms it into blistering noise assaults with an incredible spectrum and impact.

INSTAL 03
A dark room and Tone is performing at a laptop.
4 May 2012
Whitney Museum of American Art

Paramedia

Yasunao Tone

A dense, hard, immersive, chaotic spatial performance in sound: a momentary gap in consciousness, free of order or decision.

A survey is a process of listening
A group of people on a stage, they move quickly. One has their hands in the air
22 October 2016
Tramway

[b]reach: The Fugitive Chronicles – an open rehearsal

Gallery of the Streets Glasgow Open Dance School Kai Lumumba Barrow

The ongoing development of [b]reach, an abolitionist black queer retelling of Marge Piercy’s incredible feminist utopian novel Woman on the Edge of Time.

Episode 8: Refuse Powers’ Grasp
Two rectangular forms of white light against black on a screen
14 April 2007
DCA

Surface Tension

William Raban

Relative patterns of occlusion and exposure occupy two screens. Each exposure fires a stroboscopic flash of colour: yellow for one screen; blue for the other, filling the centre of both screens with colour, haloed with after-images.

Kill Your Timid Notion 07
Vanessa Place listening while Mark Sanders talks
13 November 2010
Tramway

Consequences and complicities of conceptualism

Mark Sanders Vanessa Place

Conceptual writer and practicing lawyer Vanessa Place performs and talks with Mark Sanders, author of the brilliant “Complicities: The Intellectual and Apartheid”

INSTAL 10
17 November 2024
Tramway

Trans Breakfast at the End of the World

Mijke van der Drift Nat Raha

An informal conversation, over breakfast, about how abolition and movement work structures Mijke and Nat’s approach to transfeminism, ahead of their new book Trans Femme Futures.

Episode 11: To End the World As We Know It
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